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world, who labour, nevertheless, under a very gross delusion in that essential particular.

"It appears to me, that man may be correctly defined an animal, which, without any peculiar or distinguishing faculty of its own, is, as it were, a bundle or compound of faculties of other animals, by a distinct enumeration of which any individual of the species may be satisfactorily described. This is manifest, even in the ordinary language of conversation, when, in summing up, for example, the qualities of an accomplished courtier, we say he has the vanity of a peacock, the cunning of a fox, the treachery of an hyæna, the cold-heartedness of a cat, and the servility of a jackall. That this is perfectly consentaneous to scientific truth, will appear in the further progress of these observations.

"Every particular faculty of the mind has its corresponding organ in the brain. In proportion as any particular faculty or propensity acquires paramount activity in any individual, these organs develope themselves, and their developement becomes externally obvious by corresponding lumps and bumps, exuberances and protuberances, on the osseous compages of the occiput and sinciput. In all animals but man, the same organ is equally developed in every individual of the species: for instance, that of migration in the swallow, that of destruction in the tiger, that of architecture in the beaver, and that of parental affection in the bear. The human brain, however, consists, as I have said, of a bundle or compound of all the faculties of all other animals; and from the greater developement of one or more of these, in the infinite varieties of combination, result all the peculiarities of individual character.

"Here is the skull of a beaver, and that of Sir Christopher Wren. You observe, in both these specimens, the prodigious developement of the organ of constructiveness.

"Here is the skull of a bullfinch, and that of an eminent fiddler. You may compare the organ of music. "Here is the skull of a tiger. You observe the organ nage. Here is the skull of a fox. You observe the organ of

of car

plunder. Here is the skull of a peacock. You observe the organ of vanity. Here is the skull of an illustrious robber, who, after a long and triumphant process of depredation and murder, was suddenly checked in his career by means of a certain quali

ty inherent in preparations of hemp, which, for the sake of perspicuity, I shall call suspensiveness. Here is the skull of a conqueror, who, after over-running several kingdoms, burning a number of cities, and causing the deaths of two or three millions of men, women, and children, was entombed with all the pageantry of public lamentation, and figured as the hero of several thousand odes and a round dozen of epics; while the poor highwayman was twice executed-

"At the gallows first, and after in a ballad,
Sung to a villanous tune."

You observe, in both these skulls, the combined developement of the organs of carnage, plunder, and vanity, which I have separately pointed out in the tiger, the fox, and the peacock. The greater enlargement of the organ of vanity in the hero is the only criterion by which I can distinguish them from each other. Born with the same faculties, and the same propensities, these two men were formed by nature to run the same career: the different combinations of external circumstances decided the differences of their destinies.

You observe the
Here is a human

"Here is the skull of a Newfoundland dog. organ of benevolence, and that of attachment. skull, in which you may observe a very striking negation of both these organs; and an equally striking developement of those of destruction, cunning, avarice, and self-love. This was one of the most illustrious statesmen that ever flourished in the page of history.

"Here is the skull of a turnspit, which, after a wretched life of dirty work, was turned out of doors to die on a dunghill. I have been induced to preserve it, in consequence of its remarkable similarity to this, which belonged to a courtly poet, who having grown grey in flattering the great, was cast off in the same manner to perish by the same catastrophe."

After these, and several other illustrations, during which the skulls were handed round for the inspection of the company, Mr. Cranium proceeded thus :—

"It is obvious, from what I have said, that no man can hope for worldly honour or advancement, who is not placed in such a relation to external circumstances as may be consentaneous to his peculiar cerebral organs; and I would advise every parent, who

has the welfare of his son at heart, to procure as extensive a collection as possible of the skulls of animals, and, before determining on the choice of a profession, to compare with the utmost nicety their bumps and protuberances with those of the skull of his son. If the developement of the organ of destruction point out a similiarity between the youth and the tiger, let him be brought to some profession (whether that of a butcher, a soldier, or a physician, may be regulated by circumstances) in which he may be furnished with a licence to kill: as, without such licence, the indulgence of his natural propensity may lead to the untimely rescission of his vital thread, 'with edge of penny cord and vile reproach.' If he show an analogy with the jackal, let all possible influence be used to procure him a place at court, where he will infallibly thrive. If his skull bear a marked resemblance to that of a magpie, it cannot be doubted that he will prove an admirable lawyer; and if with this advantageous conformation be combined any similitude to that of an owl, very confident hopes may be formed of his becoming a judge."

A furious flourish of music was now heard from the ball-room, the squire having secretly despatched the little butler to order it to strike up, by way of a hint to Mr. Cranium to finish his harangue. The company took the hint and adjourned tumultuously, having just understood as much of the lecture as furnished them with amusement for the ensuing twelvemonth, in feeling the skulls of all their acquaintance.

CHAPTER XIII.

THE BALL.

THE ball-room was adorned with great taste and elegance, under the direction of Miss Caprioletta and her friend Miss Cephalis, who were themselves its most beautiful ornaments, even though romantic Meirion, the pre-eminent in loveliness, sent many of its loveliest daughters to grace the festive scene. Numberless were the solicitations of the dazzled swains of Cambria for the honour of the two first dances with the one or the other of these fascinating friends; but little availed, on this occasion, the pedigree lineally traced from Caractacus or King Arthur: their two philosophical lovers, neither of whom could have given the least account of his great-great-grandfather, had engaged them many days before. Mr. Panscope chafed and fretted like Llugwy in his bed of rocks, when the object of his adoration stood up with his rival but he consoled himself with a lively damsel from the vale of Edeirnion, having first compelled Miss Cephalis to promise him her hand for the fourth set.

The ball was accordingly opened by Miss Caprioletta and Mr. Foster, which gave rise to much speculation among the Welsh gentry, as to who this Mr. Foster could be; some of the more learned among them secretly resolving to investigate most profoundly the antiquity of the name of Foster, and ascertain what right a person so denominated could have to open the most illustrious of all possible balls with the lovely Caprioletta Headlong, the only sister of Harry Headlong, Esquire, of Headlong Hall, in the Vale of Llanberris, the only surviving male representative of the antediluvian family of Headlong Ap-Rhaiader.

When the two first dances were ended, Mr. Escot, who did not choose to dance with any one but his adorable Cephalis, looking round for a convenient seat, discovered Mr. Jenkison in a corner by the side of the Reverend Doctor Gaster, who was keeping

excellent time with his nose to the lively melody of the harp and fiddle. Mr. Escot seated himself by the side of Mr. Jenkison, and inquired if he took no part in the amusement of the night?

MR. JENKISON.

No. The universal cheerfulness of the company induces me to rise the trouble of such violent exercise induces me to sit still. Did I see a young lady in want of a partner, gallantry would incite me to offer myself as her devoted knight for half an hour: but as I perceive there are enough without me, that motive is null. I have been weighing these points pro and con, and remain in statu quo.

MR. ESCOT.

I have danced contrary to my system, as I have done many other things since I have been here, from a motive that you will easily guess. (Mr. Jenkison smiled.) I have great objections to dancing. The wild and original man is a calm and contemplative animal. The stings of natural appetite alone rouse him to action. He satisfies his hunger with roots and fruits, unvitiated by the malignant adhibition of fire, and all its diabolical processes of elixion and assation: he slakes his thirst in the mountainstream, συμμισγεται τη επιτυχούση, and returns to his peaceful state of meditative repose.

MR. JENKISON.

Like the metaphysical statue of Condillac.

MR. ESCOT.

With all its senses and purely natural faculties developed, certainly. Imagine this tranquil and passionless being, occupied in his first meditation on the simple question of Where am I? Whence do I come? And what is the end of my existence? Then suddenly place before him a chandelier, a fiddler, and a magnificent beau in silk stockings and pumps, bounding, skipping, swinging, capering, and throwing himself into ten thousand attitudes, till his face glows with fever, and distils with perspiration: the first impulse excited in his mind by such an apparition will be that of violent fear, which, by the reiterated perception of its harmlessness, will subside into simple astonishment. Then let any genius, sufficiently powerful to impress on his mind all the terms of the communication, impart to him, that after a long process of ages,

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