EPIGRAM. DEAN SWIFT. Born, 1667, Died, 1745. The "witty Dean" as he has been justly called, was born in Dublin. His fame is too large and wide-spread to require any elaborate notice of the speciality of his genius here. But it should be noted, in a book so essentially Irish, that his memory must be honoured not only for his genius but for his unflinching patriotism, persevered in, as his friend Doctor Delany declares, "under many severe trials and bitter persecutions, to the manifest hazard of his liberty and fortune." As his greatest works are in prose, the highest examples of his pen cannot be given in a volume of verse, and song was not a mode of the lyre in which the Dean indulged; but some of his lighter effusions, which Doctor Johnson (who was not over-given to laudation) praises for their humour, raciness, and gaiety, may fitly take their place in such a collection-his epigrams especially, which exhibit that satiric power for which his name is so celebrated. As Thomas was cudgell'd one day by his wife, Too wise to take counsel, too proud to take warning, ON MRS. BIDDY FLOYD; OR, THE RECEIPT TO FORM A BEAUTY.† DEAN SWIFT. WHEN Cupid did his grandsire Jove entreat Jove mix'd up all, and his best clay employ'd; † An elegant Latin version of this poem is in the sixth volume of Dryden's Miscellanies. BEAUTY AND TIME. SAMUEL LOVER. From "Songs and Ballads." TIME met Beauty one day in her garden, Time and Beauty were never good friends, So she wondered what brought him there. 66 'Well,” said Time, “at least let me gather 'Tis part of my pride to be always supplied He vow'd 'twas for love—but she knew 'twas for spite. Time went on and left Beauty in tears; He's a tell-tale the world well knows:- So shock'd was poor Beauty to find that her fame That she droop'd, like some flow'r that is torn from its clime, CORINNA. DEAN SWIFT. Written, 1712. THIS day (the year I dare not tell) Apollo play'd the midwife's part; And he endow'd her with his art. But Cupid with a Satyr comes: Both stroke her hands and rub her gums, Then Cupid thus: "this little maid Of love shall always speak and write." "And I pronounce" (the Satyr said) "The world shall feel her scratch and bite." SONG. Dr. PARNELL. THYRSIS, a young and amorous swain, With softer magic drew. He haunts the stream, he haunts the grove, And seems for each to die; Their envy made the shepherd find So set the lover free; No more he haunts the grove or stream, "Ah, Cœlia!" sly Sabina cried, "Though neither love, we're both denied; Let either fix the dart." "Poor girl," said Cœlia, " say no more; LINES WRITTEN ON A WINDOW-PANE AT CHESTER. DEAN SWIFT. The Dean seems to have been roused to anger at Chester by the extortion of his landlord, if we may judge by some lines beginning And his rage seems to have been inflated to the degree of consigning the whole population to destruction, as follows: This ballad, which is of a homely cast, was intended as a rebuke to the saucy pride of a woman in humble life, who assumed airs of consequence from being the possessor of three COWS. Its author's name is unknown; but its age can be determined, from the language, as belonging to the early part of the seventeenth century. That it was formerly very popular in Munster may be concluded from the fact, that the phrase, "Easy, oh, woman of three cows" has become a saying in that province, on any occasion upon which it is desirable to lower the pretensions of a boastful or consequential person.-Translator's note. O WOMAN of Three Cows, agragh! don't let your tongue thus rattle ! Good luck to you, don't scorn the poor, and don't be their despiser, See where Momonia's heroes lie, proud Owen More's descendants, The brave sons of the Lord of Clare, they left the land to mourning! Mavrone! for they were banished, with no hope of their returning— Who knows in what abodes of want those youths were driven to house? Yet you can give yourself these airs, O Woman of Three Cows! Think of Donnell of the Ships, the Chief whom nothing daunted- He sleeps, the great O'Sullivan, where thunder cannot rouse- O'Ruark, Maguire, those souls of fire, whose names are shrined in story Think how their high achievements once made Erin's greatest glory— Yet now their bones lie mouldering under weeds and cypress boughs, And so, for all your pride, will yours, O Woman of Three Cows! Th' O'Carrolls also, famed when fame was only for the boldest, Just think of that, and hide your head, good Woman of Three Cows! Your neighbour's poor, and you it seems are big with vain ideas, THE SUMMING UP. Now, there you go! you still, of course, keep up your scornful bearing; * Munster. + My grief. + Forsooth, The most comical piece of pride I ever heard of was that attributed to a Dublin basketwoman by an incensed rival, who thus accused her:-"Bad luck to your impidence, Moll Doyle !-there's no standin' the consait o' you since you got that new sthrap to your basket." Mrs. Doyle, with a disdainful toss of her head, replied,-" More grandeur to me!" |