Native American Art in the Twentieth Century: Makers, Meanings, Histories

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W. Jackson Rushing
Psychology Press, 1999 - 214 páginas

This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time
The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty
Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.

 

Contenido

Encounters on the Borderlands
21
James Houston Armchair Tourism and the Marketing of Inuit Art
39
Contexts for the Growth and Development of the Indian Art World in
57
Introduction W Jackson Rushing III 135
75
New Discourses Old Differences?
97
The Modes and Materials of Identity
113
Independent Identities
134
How Critics and Historians Write the Native American
149
Introduction W Jackson Rushing III
169
Seeking the Spiritual
184
Index
205
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