Count D'Alba! Save him! Save him! D'Alba's gone, Ann. Jul. Ask not. Whither? To my father. Ann. Then he's alive-Oh happiness! They told me That he was dead. Why do we loiter here? Let's join him now. Jul. Ann. Not yet. Now! now! Thou know'st not How horribly these walls do picture to me The several agonies whereof my soul Hath drunk to-day. I have been tempted, Julian, By one-a fiend! tempted till I almost thought God had forsaken me. But thou art here To save me, and my pulse beats high again With love and hope. I am light-hearted now, And could laugh like a child-only these walls Do crowd around me with a visible weight, A palpable pressure; giving back the forms Of wildest thoughts that wandered through my brain, Bright chattering Madness, and sedate Despair, And Fear the Great Unreal!-Take me hence! Take me away with thee! Jul. Not yet, not yet. Thou sweetest wretch! I cannot-Dotard! Fool! I must. Not yet! not yet!-Talk to me, Annabel; This is the hour when thou wast wont to make Earth Heaven with lovely words; the sun-set hour, That woke thy spirit into joy. Once more Talk to me, Annabel. Ann. Ay, all day long, When we are free. Thy voice is choked; thy looks Can'st thou save me, Julian? Thou always dost speak truth. Can'st save thyself? Shall we go hence together? Through the casement What? that grim ascent! Jul. One home. Ann. Ay, one fate Why that is bliss. We shall be poor— 3 So sadly on me? Jul. Why dost thou gaze The bright stars, how oft They fall, or seem to fall! Intense and ardent flame, the doubtful line Wrought between earth and heaven, of life and death, Straight to the Eternal Gates, didst pray to pass Look out upon the burning sky, the sea Now! Ann. (before she is wounded.) For thee! 'Tis sweet! For thee (dies. Jul. Fiend, hast thou slain her? Die! die! die! Come on. (fights and kills him. Bert. Call instant help! Hasten the Count! [Exit the other murderer. (Julian and Bertone fight, and Julian kills him. My wife! My murdered wife! Doth she not breathe? I Jul. thought My sight is dim-Oh no! she's pale! she's cold! Death's factor, peopler of unhallowed graves, To thy white bosom,-I could not. Lie there. Will veil thy beauty next. One kiss! She died Till I've avenged thee; I could slay an army Enter D'Alba. D'Alba (entering, to an Attendant). All's tranquil. Where's the traitor? Ann. Jul. I cannot draw it. Ann. Yes. Jul. D'Alba. My sword! Jul. I. Now! I'm ready. Enter Bertone, and two Murderers. Berl. Seize him! Yield thee, Prince Julian! Yield thee! Seize the lady. Jul. Oh fatal, fond delay! Dare not come near us! Stand off! I'll guard thee, sweet. But when I fall, Let him not triumph. Bert. Yield thee! Strike him down. Jul. Thou canst die then, my fairest. The two murderers have now advanced close to Julian. Dead. Who slew him? Of rude uncostly linen serves to wrap In regal purple; lived so; and so died. So be he buried. Let not mine enemy For him and the proud Regent. Quick! I'd have Look on the corse? D'Alba. Alf. Here! Jul. Poor child, he weeps! Send for the honoured dead Beside the city gate,-he pardoned me! Bury us in one grave,-all in one grave! I did not kill her. Strew her with white flowers, Cheer thee! Take hope! Val. Raise up his head. Wilt thou not Alf. Jul. I cannot wait her waking: I must go feast my eyes on her fair looks- Jul. (uncovering the body.) There. Now gaze thy- Gloat with hot love upon that beauteous dust!- My Julian! He forgave me, Jul. Off! off! Pollute her not! WRITTEN BY T. A. TALFOURD, ESQ. Is not her lot intolerably hard Who does this pious office for the Bard? She's white! She's pure!-Curses! Pour curse for Who comes applauses not her own to win, curse On the foul murderer! On him who turned Or pay the penance for another's sin? To tack, lest gentle moralisers rail, A drawling comment to a doubtful tale; The sweet soul from her home, who slew her father, To break with hollow mirth the sacred spell This way! Oh sight of horror! Julian! Julian! D'Alba. Which the poor poet rarely weaves too well; To watch supreme o'er calumny and tea; Julian! I have been thanking heaven His wits are gone. She was my Comforter! And now-But I do know thee; thou'rt the King; To draw down sacred tears o'er beauty's cheeks, RIENZI. ACT I. SCENE I. Rome in the fourteenth century.—A Street in Rome.— A Temple in Ruins, in the back-ground a Portico, with columns in front of it, so managed that a person may appear and disappear amongst the pillars and recesses. Enter Paolo, and three Citizens, meeting. First Cit. Ah, Messer Paolo, a good morrow to thee! The streets are full to-day. I have not seen Since the last jubilee. Whence comes the swarm? For their proud chief, the factious Martin. First Cit. He, Our senator! a proper ruler! sick, too, And like to die. Second Cit. Nay, he were harmless, then. The subtle John, that drives this business onward. Second Cit. "T was likelier John! The dark, smooth, subtle John. He's the prime mover Of these iniquities. Third Cit. Ye have bold tongues. Art thou of their black faction? Third Cit. No: I ply My trade, and hold my peace. Pao. Should have been senator. First Cit. Stephen Colonna No-he's too old: The Count Savelli, or young Angelo. To meddle with such great ones. Dost not see Pao. Our honest neighbour, He haunts their palaces, and, with rancorous hate, Murdered by their base groom? He hates the Ursini, And follows the Colonna, scarce for love, Rather to feast his learned spleen-for Cola Is a ripe scholar-with sharp biting gibes And dark predictions; a rank malcontent- Second Cit. He approaches. (Rienzi comes forward, with the piece of marble. Pao. Cola, What dragg'st thou there? a stone? Rie. Pao. Yet the yoke Must! Be ye men? What should we do? Rie. Why, Cola, Of these old temples hear ye, how on Monday Weeps as it were his child-or how, on Tuesday, Rie. I can go through the week. Pao. But, for the pilgrims Art sure of that foul sacrilege? As that thou standest there; as that the Ursini Parade the city. (Distant shouts.) Hark! do ye not hear The shouting mob approach ?-Sure as that ye Will join your voice to that base cry, and shout, Pao. Cola, thou wrong'st us. The tyrant of to-day. Go, swell his train. Second Cit. Third Cit. A dangerous. Urs. (To the mob.) Thanks, gentle friends. (To the Lords.) Yes, I expect to-morrow A packet from Avignon; even Colonna If he do not Fra. Urs. Oh, never doubt; if he refuse, why, thenDoubt him not, Frangipani. Quicker, friends— I hurry ye, my lords, but we are waited At the Alberteschi Palace. Follow fast. [Exeunt Ursini, &c.-Paolo and the three Citi- Att. Why, what a sort of sullen citizens Pao. [Knocks off Paolo's hat with his spear-Rienzi Rie. Down, vile minion! Rie. Let them fly that fear. Fly! why the evil doer flies, not he That putteth down a wrong. Fly! I would call Rome, universal Rome, to view this deed, The type of that to come. Yon creeping slave, Struck with the strong brute force of power, fell Before my weaker arm, nerved by the spirit Of righteous indignation. So shall fall Tyrants and tyranny. Meet me to-night On the Capitoline Hill. Now I can trust ye, Now that the man is roused within your souls, The Roman ardour. (Goes into the temple. Remember! A brave man. Full surely, [Exeunt Rienzi, Paolo, and Citizens, bearing off the Attendant. SCENE II. [Paolo and Citizens retire to the back-ground An Apartment in Rienzi's House; a Roman chair, in front of the Temple. Enter Officers, sir Halberdiers, and Ursini, Frangipani, and two Lords, in conversation, followed by armed Attendants, and accompanied by a Crowd, who shout, "Live the Ursini," &c. with a skein of red worsted; a Lattice down to the floor, opening into the Garden. Enter Angelo and Claudia, through the Lattice. Cla. Beseech thee, now, away, Lord AngeloThou hast been here o'erlong. |