| Mary Russell Mitford - 1824 - 312 páginas
...grand, almost sublime, and above all eminently foreign. No English painter would choose such a subject for an English landscape ; no one in a picture would...strangely with the tattered thatch of the roof, and the half broken windows. No garden, no pigsty, no pens for geese, none of the usual signs of cottage habitation... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1825 - 556 páginas
...— almost sublime, and above all, eminently foreign. No English painter would choose such a subject for an English landscape ; no one, in a picture, would...fastened with a sedulous attention to security, that contrastcd strangely with the tattered thatch of the roof and the half broken windows. No garden, no... | |
| Mary Russell Mitford - 1825 - 312 páginas
...painter would choose such a subject for an English landscape ; no one in a picture would takeitfor English. It might pass for one of those scenes which...strangely with the tattered thatch of the roof, and the half-broken windows. No garden, no pigsty, no pens for geese, none of the usual signs of cottage habitation... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero - 1825 - 582 páginas
...— almost sublime, and above all, eminently foreign. No English painter would choose such a subject for an English landscape ; no one, in a picture, would...national and characteristic ; a low, ruinous hovel, th« door of of which was fastened with a sedulous attention to security, that contrasted strangely... | |
| New elegant extracts, Richard Alfred Davenport - 1827 - 404 páginas
...grand, almost sublime, and above all, eminently foreign. No English painter would choose such a subject for an English landscape ; no one in a picture would take it for English. It might pass for one of the scenes which have furnished models to Salvator Rosa. Tom's cottage was, however, very thoroughly... | |
| Richard Alfred Davenport - 1827 - 404 páginas
...grand, almost sublime, and above all, eminently foreign. No English painter would choose such a subject for an English landscape ; no one in a picture would take it for English. It might pass for one of the scenes which have furnished models to Salvator Rosa. Tom's cottage was, however, very thoroughly... | |
| New elegant extracts, Richard Alfred Davenport - 1827 - 410 páginas
...grand, almost sublime, and above all, eminently foreign. No English painter would choose such a subject for an English landscape ; no one in a picture would take it for English. It might pass for one of the scenes which have furnished models to Salvator Rosa. Tom's cottage was, however, very thoroughly... | |
| 1825 - 560 páginas
...English painter would choose such a subject for an English landscape ; no one, in a picture, would iake it for English. It might pass for one of those scenes...strangely with the tattered thatch of the roof and the half broken windows. No garden, no pig-stye, no pens for geese, none of the usual signs of cottage... | |
| Mary Russell Mitford - 1841 - 856 páginas
...grand, almost sublime, and above all eminently foreign. No English painter would choose such a subject for an English landscape; no one in a picture would...however, very thoroughly national and characteristic ; alow, ruinous hovel, the door of which was fastened with a sedulous attention to security, that contrasted... | |
| Mary Russell Mitford - 1850 - 684 páginas
...grand, almost sublime, and above all eminently foreign. No English painter would choose such a subject for an English landscape ; no one in a picture would...strangely with the tattered thatch of the roof, and the half-broken windows. No gar'den, no pigsty, no pens for geese, none of the usual signs of cottage habitation:... | |
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