Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 163
... rhyme - scheme with such con- sistency , that there is little difference in the effect when , as in the Second Eclogue , submerged rhyme is abandoned for blank verse . The only satisfactory way to read Rota's rhymed hendeca- syllables ...
... rhyme - scheme with such con- sistency , that there is little difference in the effect when , as in the Second Eclogue , submerged rhyme is abandoned for blank verse . The only satisfactory way to read Rota's rhymed hendeca- syllables ...
Página 168
... rhymes , takes its own rhyme from those of the completed state- ment ; in the second passage the first strong pause comes at the end of the seventh line , yet this line introduces a new rhyme . Everywhere in the poem we find such ...
... rhymes , takes its own rhyme from those of the completed state- ment ; in the second passage the first strong pause comes at the end of the seventh line , yet this line introduces a new rhyme . Everywhere in the poem we find such ...
Página 169
... rhyme derived from the canzone has thus provided Milton with an invaluable instrument a type of rhyme which looks both back and forward . His ear had been so trained by the canzone as to appreciate this effect not only in the key , or ...
... rhyme derived from the canzone has thus provided Milton with an invaluable instrument a type of rhyme which looks both back and forward . His ear had been so trained by the canzone as to appreciate this effect not only in the key , or ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
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Términos y frases comunes
Adonis allegorical allusion Alpheus Apollo archetypal Arethuse begins called canzone Christ Christian classical consolation critical dead death digression dread voice E. M. W. Tillyard echoes eclogues Edward King elegiac English essay experience F. T. Prince false surmise fame fiction figure final flower passage grief heaven human imagery images Italian John Milton lament language lines literary literature Lycidas Lycidas's lyric M. H. Abrams meaning melodious tear ment metaphor Milton's Lycidas mind monody mourn movement Muse myth nature nymphs once Orpheus ottava rima pagan Paradise Lost pastoral convention pastoral elegy pattern person voice Peter Phoebus poem poem's poet poet's poetic poetry present question reader reference rhyme sense Shepheardes Calender shepherd sing singer song speaker speaks speech Spenser stanza stream structure suggest symbol thee theme Theocritus things thought tion toral tradition truth two-handed engine uncouth swain verse Virgil vision weep writing