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SELECTION FROM THE PHILOSOPHER SEUN

is in man, not needing to be learned and striven after, is what I call natural; that in man which is attained to by learning and achieved by hard striving is what I call factitious. This is the distinction between those two. By the nature of man the eyes are capable of seeing and the ears are capable of hearing, but the power of seeing is inseparable from the eyes and the power of hearing is inseparable from the ears. It is plain that the faculties of seeing and hearing do not need to be learned. Mencius says, says, "The nature of man is good, but all lose and ruin their nature, and therefore it becomes bad;" but I say that this representation is erroneous. Man being born with his nature, when he thereafter departs from its simple constituent elements he must lose it. From this consideration we may see clearly that man's nature is evil. What might be called the nature's being good would be if there were no departing from its simplicity to beautify it, no departing from its elementary dispositions to sharpen it. Suppose that those simple elements no more needed beautifying, and the mind's thoughts no more needed to be turned to good, than the power of vision, which is inseparable from the eyes, and the power of hearing, which is inseparable from the ears, need to be learned, then we might say that the nature is good, just as we say that the eyes see and the ears hear. It is the nature of man, when hungry, to desire to be filled; when cold, to desire to be warmed; when tired, to desire rest: these are the feelings and nature of man. But now a man is hungry, and in the presence elder he does not dare to eat before him: he is yielding to that elder. He is tired with

of an

labor, and he does not dare to ask for rest: he is working for some one. A son's yielding to his father and a younger brother to his elder, a, son's laboring for his father and a younger brother for his elder,—these two instances of conduct are contrary to the nature and against the feelings, but they are according to the course laid down for a filial son and the refined distinctions of propriety and righteousness. It appears that if there were an accordance with the feelings and the nature there would be no self-denial and yielding to others. Self-denial and yielding to others are contrary to the feelings and the nature. In this way we come to see how clear it is that the nature of man is evil; the good which it shows is factitious.

An inquirer will ask, "If man's nature be evil, whence do propriety and righteousness arise?" I reply, All propriety and righteousness are the artificial production of the sages, and are not to be considered as growing out of the nature of man. It is just as when a potter makes a vessel from the clay: the vessel is the product of the workman's art, and is not to be considered as growing out of his nature. Or it is as when another workman cuts and hews a vessel out of wood: it is the product of his art, and is not to be considered as growing out of his nature. The sages pondered long in thought and gave themselves to practice, and so they succeeded in producing propriety and righteousness and setting up laws and regulations. Thus it is that propriety and righteousness, laws and regulations, are the artificial product of the sages, and are not to be considered as growing properly from the nature of man.

Translation of JAMES LEGGE,

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THE CONVERT.

N Corbet's picture, of which we give an engraving, is presented a new illustration of death-bed repentance always so difficult to trust and to establish. But yesterday and the vulpine instinct was his only religion, and a tender lamb the acceptable sacrifice to the cunning of his genius. Who could get the better of old Reynard? In all periods and in all languages, from Esop to La Fontaine, his name was the synonym for astuteness and wily achievement; and even when, once, he lost his tail, he persuaded his fellow-quadrupeds that to wear a caudal appendage was vulgar. Perhaps the reader will recur to the true and typical stories of Uncle Remus, and wonder that in these latter days "Brer Rabbit has changed places with " Brer" Fox in the domain of cunning and tricks him to his heart's content. This is but a stratagem of wit, of the nature of a burlesque, and in accordance with the law of reprisals. There

rest, with Horace's "murrain on the hindmost," do not observe how his airy gallop has declined into a dragging trot as he labors across the brook on the fallen tree; but he hears in increasing volume of sound, nearer and nearer, the blare of the horns and the yelping of the hounds who are "running him to earth." He feels his rapidly-failing strength; he even sees the carrion-crow hovering over him and anticipating the banquet of his flesh. Do his sins crowd upon his memory, as the artist would wish us to believe? Does he declare to himself that if a miracle should compass his salvation he would never eat a lamb or rob a henroost as long as he should live-that he would found a monastery for foxes and repent in sackcloth and ashes?

The moral at least remains for men, and has been cleverly rendered in a distich :

"When the Devil was sick, the Devil a monk would be; When the Devil got well, the devil a monk was he."

THE CAPTIVE.

is a piquancy in making the silly and timid DISGUISE thyself as thou wilt, still, Sla

hare exchange characters with the incarnation of animal cunning.

In the picture poor Reynard may well be pitied by his worst enemy. The sheep, who see him coming, take no note, indeed, of his lolling tongue, his shrunken flanks, his drooping tail. The guardian mother and her lamb, who have been left in rear by the

very, still thou art a bitter draught, and, though thousands in all ages have been made. to drink of thee, thou art no less bitter on that account. It is thou, Liberty-thrice sweet and gracious goddess, whom all in public or in private worship-whose taste is grateful, and ever will be so till Nature herself shall change. No tint of words can

spot thy snowy mantle or chemic power turn thy sceptre into iron; with thee to smile upon him as he eats his crust, the swain is happier than his monarch, from whose court thou art exiled. Gracious Heaven, grant me but health, thou great Bestower of it, and give me but this fair goddess as my companion, and shower down thy mitres -if it seem good unto thy divine providence -upon those heads which are aching for them.

Pursuing these ideas, I sat down close by my table, and, leaning my head upon my hand, I began to figure to myself the miseries of confinement. I was in a right frame for it, and so I gave full scope to my imagination.

I was going to begin with the millions of my fellow-creatures born to no inheritance but slavery, but finding, however affecting the picture was, that I could not bring it

little straw in the farthest corner of his dungeon, which was alternately his chair and bed; a little calendar of small sticks was laid at the head, notched all over with the dismal days and nights he had passed there; he had one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had he lifted up a hopeless eye toward the door, then cast it down, shook his head and went on with his work of affliction. I heard his chains upon his legs as he turned his body to lay his little stick upon the bundle. He gave a deep sigh; I saw the iron enter into his soul. I burst into tears: I could not sustain the picture of confinement which my fancy had drawn.

TH

LAURENCE STERNE.

(WRITTEN ABOUT 1505.)

HIS wavering warld's wretchedness,
The failing and fruitless business,
The misspent time, the service vain,
For to consider is ane pain.

near me, and that the multitude of sad THE VANITY OF EARTHLY THINGS. groups in it did but distract me, I took a single captive, and, having first shut him up in his dungeon, I then looked through the twilight of his grated door to take his picture. I beheld his body half wasted away with long expectation and confinement, and felt what kind of sickness of the heart it is which arises from hope deferred. Upon looking nearer I saw him pale and feverish; in thirty years the western breeze had not once fanned his blood; he had seen no sun, no moon, in all that time, nor had the voice of friend or kinsman breathed through his lattice. His children—

But here my heart began to bleed, and I was forced to go on with another part of the portrait.

He was sitting upon the ground upon a

The sliding joy, the gladness short,
The feigned love, the false comfort,
The sweir abade, the slightful train,
For to consider is ane pain.

The suggared mouths, with minds therefra,
The figured speech, with faces tway,
The pleasing tongues, with hearts unplain,
For to consider is ane pain.

WILLIAM DUNBAR.

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