An Approach to LiteraturePrentice-Hall, 1975 - 902 páginas An Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
Dentro del libro
Resultados 1-3 de 87
Página 460
... effects . Let us consider lines 5-8 . In line 5 , the onomato- poeic effect of the repetion of have trod is ob- vious , but somewhat less obvious , and very important , is the effect associated with the word generations . The meaning ...
... effects . Let us consider lines 5-8 . In line 5 , the onomato- poeic effect of the repetion of have trod is ob- vious , but somewhat less obvious , and very important , is the effect associated with the word generations . The meaning ...
Página 515
... effect established in lines 1 and 13 of the heavy , monotonous beat of the surf at the base of the cliff . The whole poem , we may say , depends on the contrast between the vig orous , ongoing life of the world around , and the deadened ...
... effect established in lines 1 and 13 of the heavy , monotonous beat of the surf at the base of the cliff . The whole poem , we may say , depends on the contrast between the vig orous , ongoing life of the world around , and the deadened ...
Página 873
... effect they give us now ? Or enhance it ? What would be the difference of effect if , without this little business at the beginning of Act 3 to forewarn us , the actors simply walked on at the end of the play to recite their passages ...
... effect they give us now ? Or enhance it ? What would be the difference of effect if , without this little business at the beginning of Act 3 to forewarn us , the actors simply walked on at the end of the play to recite their passages ...
Contenido
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Derechos de autor | |
Otras 65 secciones no mostradas
Otras ediciones - Ver todas
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1964 |
An Approach to Literature Cleanth Brooks, John Thibaut Purser, Robert Penn Warren Vista de fragmentos - 1952 |
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1939 |
Términos y frases comunes
A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young
Referencias a este libro
Professing Performance: Theatre in the Academy from Philology to Performativity Shannon Jackson Vista previa limitada - 2004 |
Oedipus Ubiquitous: The Family Complex in World Folk Literature Allen W. Johnson,Douglass Richard Price-Williams Vista previa limitada - 1996 |