An Approach to LiteraturePrentice-Hall, 1975 - 902 páginas An Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
Dentro del libro
Resultados 1-3 de 76
Página 576
... play the treatment of exposition is some- what special . It is accomplished much more succinctly than in most other plays . The ex- position required by Hedda Gabler , for ex- ample , is more elaborate ; and so is that re- quired for ...
... play the treatment of exposition is some- what special . It is accomplished much more succinctly than in most other plays . The ex- position required by Hedda Gabler , for ex- ample , is more elaborate ; and so is that re- quired for ...
Página 739
... play , Shaw tells his reader that in describing Henry Higgins he had in mind an actual person , Henry Sweet , a member of the Oxford English faculty , whom Shaw regarded as the most brilliant phonetician of the age . But Shaw was frank ...
... play , Shaw tells his reader that in describing Henry Higgins he had in mind an actual person , Henry Sweet , a member of the Oxford English faculty , whom Shaw regarded as the most brilliant phonetician of the age . But Shaw was frank ...
Página 873
... play to recite their passages ? Does this use of the philosophers , by the way , mean any- thing ? Is it just a kind of " poetic effect " ? 8. If , at the end of the play , the eloquent passages spoken by the hours do come with a very ...
... play to recite their passages ? Does this use of the philosophers , by the way , mean any- thing ? Is it just a kind of " poetic effect " ? 8. If , at the end of the play , the eloquent passages spoken by the hours do come with a very ...
Contenido
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Derechos de autor | |
Otras 65 secciones no mostradas
Otras ediciones - Ver todas
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1964 |
An Approach to Literature Cleanth Brooks, John Thibaut Purser, Robert Penn Warren Vista de fragmentos - 1952 |
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1939 |
Términos y frases comunes
A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young
Referencias a este libro
Professing Performance: Theatre in the Academy from Philology to Performativity Shannon Jackson Vista previa limitada - 2004 |
Oedipus Ubiquitous: The Family Complex in World Folk Literature Allen W. Johnson,Douglass Richard Price-Williams Vista previa limitada - 1996 |