An Approach to LiteratureAn Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
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Página 406
III 30 The imagery of stanza II shifts the emWhere are the songs of Spring ? Ay ,
where are phasis . The poet continues to stress a sense they ? of ripeness ,
fruition , fullness , even heaviness , Think not of them , thou hast thy music too ,
but he ...
III 30 The imagery of stanza II shifts the emWhere are the songs of Spring ? Ay ,
where are phasis . The poet continues to stress a sense they ? of ripeness ,
fruition , fullness , even heaviness , Think not of them , thou hast thy music too ,
but he ...
Página 531
cases it may be a unit that can be called a stanza, such as a couplet. The refrain
is a unit of poetic construction—usually a phrase or a single line—that is
repeated at intervals throughout a poem. It is, of course, a device of emphasis,
both for ...
cases it may be a unit that can be called a stanza, such as a couplet. The refrain
is a unit of poetic construction—usually a phrase or a single line—that is
repeated at intervals throughout a poem. It is, of course, a device of emphasis,
both for ...
Página 532
... how learned Greece her useful rules indites , by rime into a unit ; and bound ,
we may add , When to repress , and when indulge our flights : by the long ,
swinging rhythm of the whole High on Parnassus ' top her sons she showed ,
stanza .
... how learned Greece her useful rules indites , by rime into a unit ; and bound ,
we may add , When to repress , and when indulge our flights : by the long ,
swinging rhythm of the whole High on Parnassus ' top her sons she showed ,
stanza .
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Contenido
Introduction | 1 |
Fictional Point | 17 |
Dylan Thomas AFTER THE FAIR | 23 |
Derechos de autor | |
Otras 67 secciones no mostradas
Términos y frases comunes
answer ANTONY asked better BRACK Caesar character CLEOPATRA close comes course dark death door effect ELVSTED Enter EXERCISES eyes face fact fall father feel felt girl give hand head hear heard heart HEDDA horse human idea keep kind knew leave light live looked LÖVBORG matter meaning mind Miss mother moved nature never night OEDIPUS once passed person play poem poet poetry present question relation rhythm scene seemed seen sense side sound speak stand stanza stood stopped story talk tell TESMAN thee thing Thompson thou thought tion told tone trees turned voice walked whole wife woman young
Referencias a este libro
Professing Performance: Theatre in the Academy from Philology to Performativity Shannon Jackson Vista previa limitada - 2004 |
Oedipus Ubiquitous: The Family Complex in World Folk Literature Allen W. Johnson,Douglass Richard Price-Williams Vista previa limitada - 1996 |