A Reading of the Canterbury Tales, Volumen10

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SUNY Press, 1964 M01 1 - 245 páginas
In the human comedy of Chaucer's Canterbury Tales the pilgrims react to one another. The tales they tell reveal their own characters and serve in turn to supply dramatic settings for other tales told in response. In the chronicle of their self-revelations and of their reactions to one another, a thematic design may be traced. Chaucer's art of high comedy has behind it a literary tradition of which it is the fulfillment. Briefly this is the thesis of Professor Bernard F. Huppé's A Reading of the Canterbury Tales.

The book itself is the direct result of more than fifteen years of lecturing on the Canterbury Tales, during which time Professor Huppé's views on the dramatic structure of the tales have been modified, clarified, and sharpened through discussion with students and colleagues, and through his study of Chaucer's literary tradition.

A Reading of the Canterbury Tales retains the freshness and immediacy of a lecture series. It is intended to be provocative and to stimulate active discussion.
 

Contenido

Introduction
3
The General Prologue
12
Pilgrim and Author
21
C The Pilgrims
29
D Elements of Dramatic Development
43
Two Realities Knight and Miller
49
B The Millers Requiting
75
Of Woe That Is In Marriage
91
the Merchants Tale
147
the Franklins Tale
163
the Nuns Priests Tale
174
Ecclesiastical Corruption
187
B The FriarSummoner Quarrel
194
C The Pardoner
209
Dramatic Structure and Theme
221
Chaucer and the Parson
231

the Wife of Bath
107
the Clerks Tale
136

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Acerca del autor (1964)

Bernard F. Huppé is Professor of English and Chairman of the department at Harpur College of the State University of New York. He has taught at New York University, at Princeton, and has been Fulbright lecturer at the university of Vienna. Author of many articles on medieval subjects, Dr. Huppé is the author of Doctrine and Poetry (1959); and co-author of Logic and Language (1956), Piers Plowman and Scriptural Tradition (1951), and Fruyt and Chaf (1963).

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