The works of Richard Hurd, Volumen1T. Cadell & W. Davies, 1811 |
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Página 37
... scenes , condescends to the ease of familiar conversation . But the poet had a further view in chusing this instance . For he gets by this means into the main of his subject , which was dra- 101 Si curat cor spectantis tetigisse querela ...
... scenes , condescends to the ease of familiar conversation . But the poet had a further view in chusing this instance . For he gets by this means into the main of his subject , which was dra- 101 Si curat cor spectantis tetigisse querela ...
Página 67
... scenes ; turning in the same manner upon one principal action or event , with regard to place " and time , which was suitable to a real spectacle . " [ Characterist . vol . i . p . 198. ] 2. The several cen- sures , here pointed at the ...
... scenes ; turning in the same manner upon one principal action or event , with regard to place " and time , which was suitable to a real spectacle . " [ Characterist . vol . i . p . 198. ] 2. The several cen- sures , here pointed at the ...
Página 68
... to keep the rest in countenance , I will but just mention Shakespear himself ; who , to enrich his scene with that variety , which his exuberant genius " so largely supplied , hath deformed his best plays 68 NOTES ON THE.
... to keep the rest in countenance , I will but just mention Shakespear himself ; who , to enrich his scene with that variety , which his exuberant genius " so largely supplied , hath deformed his best plays 68 NOTES ON THE.
Página 70
... scenes , or have possessed the art of combining woods , lakes , and rocks , into more agreeable pic- tures , than G ... scene ; and so their beauty depends , not on the truth and correct- a See Victor . Comm , in Dem . Phaler . p . 73 ...
... scenes , or have possessed the art of combining woods , lakes , and rocks , into more agreeable pic- tures , than G ... scene ; and so their beauty depends , not on the truth and correct- a See Victor . Comm , in Dem . Phaler . p . 73 ...
Página 116
... scene , the writer must have a soul tuned to the most exquisite sensibility , and suscep- tible of the same vibrations from his own created images , which are known to shake the sufferer in real life . This is so uncommon a pitch of ...
... scene , the writer must have a soul tuned to the most exquisite sensibility , and suscep- tible of the same vibrations from his own created images , which are known to shake the sufferer in real life . This is so uncommon a pitch of ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Pasajes populares
Página 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Página 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Página 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Página 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Página 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Página 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Página 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Página 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Página 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Página 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.