Sincerity's Shadow: Self-Consciousness in British Romantic and Mid-Twentieth-Century American PoetryHarvard University Press, 2009 M06 30 - 256 páginas In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. Table of Contents: Introduction 1. The Personal Universal Conclusion From the Conclusion "In spite of modern experiments in communal authorship, writing poetry remains one of the most individual of acts, and yet, because it provides the ground upon which the paradoxes of self-consciousness can move most freely, one of the acts most skeptical about the authority of any individual claim to self-understanding. . . . In undertaking its experiments, poetry may separate itself from certain contexts (economic, political, historical), but is itself as local and concrete as these contexts, an experience as well as a meditation on our experiences. In its particularity, its flexibility, its sensual and sonic complexity, its consideration of the extra-rational experiences of pleasure and desire, and above all in the ways in which it speaks with both more and less authority, more and less presence than an actual human voice, poetry offers us the experience of the unknown at the core of proposed self-knowledge. This is lyric poetry's enduring -- though not sole -- claim on us." |
Dentro del libro
Resultados 1-5 de 91
... sense of its circumstances remains fragmented; it ad- dresses us apart from the interpersonal relationships that ordinarily call forth speech. This voice is intimate—engaging our memories, proclivities, and associations to discover ...
... sense , no product of art can be sincere precisely because it is a thing fabri- cated , created ; it exists in an ideal order of its own , no matter how realis- tically oriented it may be . By the same token , all achieved art can be ...
... sense that they are in- timately and creatively concerned with the paradoxes of self - conscious- ness , not in the sense that they are able to transcend them . The precarious balance that Kant attempts to maintain between self ...
... sense, poetry has been stripped of its traditional authority, but in another sense it has gained an unprecedented INTRODUCTION 9.
... sense it has gained an unprecedented op- portunity to generate authority on its own terms.28 This book concentrates on the origin and extension of this particular moment: the moment of the newly powerful and unstable self's collision ...
Contenido
1 | |
14 | |
Sincerity as Form in the Poetry of Wordsworth Lowell Rich and Plath | 47 |
The Monologues of Browning Eliot Berryman and Plath | 82 |
The Charismatic Poetry of Byron and Sexton | 116 |
The Poet as Observer in the Work of Keats Bishop and Merrill | 151 |
Conclusion | 190 |
Notes | 197 |
Index | 241 |