Imágenes de páginas
PDF
EPUB

party to which they belonged; and his belief or disbelief of the disputed facts of the time, is directed by the connection they had with his own favourite opinions. Phidippus cannot talk with patience of this history or its author; he never speaks of him but as of a mean lying fellow, who knowingly wrote the tales of a party, and who, to serve a faction, wished to deceive the public. Phidippus is mistaken; Licinius, in one sense of the word, was perfectly honest; he did not wish to deceive; but he was himself under the influence of deception. The heat of his

fancy, the violence of his zeal, led him away; con. vinced that he was much in the right, he was desirous to be still more so; he viewed, and was at pains to view every thing in one light; all the characters, and all the transactions of the time, were seen under one colour; and, under this deception he saw, and nius of being waita.., When Phidippus accuses Liciis under the influence of a like deception with that of Licinius. Licinius wrote unfairly, because he saw every thing in one light, and was not at pains to guard against self deception, or to correct erroneous judgement. Phidippus judges of Licinius unfairly, because he also is under the influence of party, because his system and opinions are different from those of Licinius, and because this leads him to judge harshly of every one who thinks like Licinius.

Lysander is a young man of elegance and sentiment; but he has a degree of vanity which makes him wish to be possessed of fortune, not to hoard, but to spend it. He has a high opinion of female merit; and would not, for any consideration, think of marrying a woman for whom he did not believe he felt the most sincere and ardent attachment. In this situation of mind he became acquainted with Leonora Leonora's father was dead, and had left her possessed of a very considerable fortune; Lysan

der had heard of Leonora, and knew she was possessed of a fortune before ever he saw her. She is not remarkable either for the beauties of person or of mind; but the very first time Lysander saw her, he conceived a prepossession in her favour, and which has now grown into a strong attachment. Lysander believes it is her merit only which has produced this; and he would hate himself, if he thought Leonora's being possessed of a fortune had had the least influence upon him. But he is mistaken; he does not know himself, nor that secret power the desire of wealth has over him. The knowledge of Leonora's being an heiress, made him secretly wish her to be possessed of personal merit before he saw her; when he did see her, he converted his wishes into belief; he desired to be deceived, and he was so. He conceived that she was possessed of every accomplishment of person and ne believed and thought that he felt a most violent attachment. Had Leonora been without a fortune, she would never have drawn Lysander's attention; he would have never thought more highly of her merit than he did of that of most other women; and he would not have become the dupe of his wishes and desires.

Amanda is a young lady of the most amiable dispositions. With an elegant form, she possesses a most uncommon degree of sensibility. Her parents reside at Belfield, in a sequestered part of the country. Here she has few opportunities of being in society, and her time has chiefly been spent in reading. Books of sentiment, novels, and tender poetry, are her greatest favourites. This kind of reading has increased the natural warmth and sensibility of her mind it has given her romantic notions of life, and particularly warm and passionate ideas about love. The attachment of lovers, the sweet union of hearts, and hallowed sympathy of souls, are continu

ally pictured in her mind. Philemon, a distant relation of Amanda's, happened to pay a visit to Bellfield. Amanda's romantic notions had hitherto been general, and had no object to fix upon. But it is dif

ficult to have warm feelings long, without directing them to some object. After a short acquaintance, Philemon became very particular in his attentions to her. Amanda was not displeased with them; on the contrary, she thought she saw in him all those good qualities which she felt in her own mind. Every look that he gave, and every word that he spoke, confirmed her in this. Every thing she wished to be in a lover, every thing her favourite authors told her a lover ought to be possessed of, she believed to be in Philemon. Her parents perceived the situation of her mind. In vain did they represent to her the danger she run, and that she had not yet acquaintance enough of Philemon to know any thing, with certainty, about his character. She ascribed these admonitions to the too great coldness and prudence of age, and she disregarded them. Thus did Amanda believe herself deeply enamoured with Philemon; but it could not be with Philemon, for she knew little of him. She was the dupe of her own wishes; and she deceived herself into a belief that she was warmly attached to him, when it was only an ideal being of her own creation that was the object of her passion. Philemon may be worthy of the love of Amanda, or Amanda may be able to preserve the deception she is under even after marriage; but her danger is apparent.

The influence of self-deception is wonderfully powerful. Different as are the above persons, and different as are their situations, all have been under its guidance. As observed above, dishonesty, in our ordinary transactions in the world, is a vice which only the most corrupted and abandoned are in danger of falling into ; but that dishonesty with ourselves,

which leads us to be our own deceivers, to become the dupes of our own prevailing passions and inclinations, is to be met with more or less in every character. Here we are, as it were, parties to the deceit, and, instead of wishing to guard against it, we become the willing slaves of its influence. By this means, not only are bad men deceived by evil passions into the commission of crimes, but even the worthiest men, by giving too much way to the best and most amiable feelings of the heart, may be led into fatal errors, and into the most prejudicial misconduct.

S.

END OF THE FIRST VOLUME.

OF THE

FIRST VOLUME.

No

INTRODUCTORY paper. The reception which a
work of this sort is likely to meet with. Some ac-
count of the author and his intentions,
Various opinions of the Mirror over-heard by the author
m the shop of its editor,

Page:

3

7

11

Of beauty. Philosophical opinions of it; directions
for improving and preserving it,

The effects of a foreign education, in a letter from L.G.
O pedantry. An extension of that phrase; various
stances of it,

Seclusion and retirement from the world not inconsist-
ent with talents or spirit; character of Mr. Umpra-
ville,

The importance of names in writing, in a letter from
Nomenclator,

8 The Musselman's Mirror, its wonderful properties; in
a letter from Vitreus,

9. Censure of a particular piece of decorum at the theatre,
in a letter from A. W.; with the author's reflections
upon it.-Note from Ignoramus,

[merged small][merged small][subsumed][subsumed][ocr errors][subsumed][merged small]

10 Effects of excessive delicacy and refinement; charac-
ter of Mr. Fleetwood,

44

11 On duelling. Regulations proposed; story of captain
Douglas,

51

12 Consequence of little folks of intimacy with great ones,
in a letter from John Homespun,

13 Remarks on the poems of Ossian,

57

62

« AnteriorContinuar »