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" I would call Proportion. The joint Union and Concordance of the Parts, in an exact Symmetry, forms the whole a compleat Harmony, which admits of no Medium. "
Lectures on Architecture: Consisting of Rules Founded Upon Harmonick and ... - Página 81
por Robert Morris - 1734 - 134 páginas
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Music and Society: The Politics of Composition, Performance and Reception

Richard Leppert, Susan McClary - 1989 - 226 páginas
...Nature: 'Beauty, in all Objects, spring[s] from the same unerring 1-aw in Nature, which, in Archirectinr, 1 would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium. . . . When I consider Proportions, I am led into a Profundity of Thought. . . . If we immerse...
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Space and the Eighteenth-Century English Novel, Volumen1

Simon Varey - 1990 - 240 páginas
...Beauty, in all Objects, spring [sic] from the same unerring Law in Nature, which, in Architecture, I would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium; it is agreeably blended through the whole, and diffuses itself to the Imagination by some sympathising...
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The Sight of Sound: Music, Representation, and the History of the Body

Richard Leppert - 1993 - 352 páginas
..."Beauty, in all Objects, spring[s] from the same unerring Law in Nature, which, in Architecture, I would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium. . . . When I consider Proportions, I am led into a Profundity of Thought. ... If we immerse...
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