Working Girl Blues: The Life and Music of Hazel DickensUniversity of Illinois Press, 2010 M10 1 - 144 páginas Hazel Dickens was an Appalachian singer and songwriter known for her superb musicianship, feminist country songs, union anthems, and blue-collar laments. Growing up in a West Virginia coal mining community, she drew on the mountain music and repertoire of her family and neighbors when establishing her own vibrant and powerful vocal style that is a trademark in old-time, bluegrass, and traditional country circles. Working Girl Blues presents forty original songs that Hazel Dickens wrote about coal mining, labor issues, personal relationships, and her life and family in Appalachia. Conveying sensitivity, determination, and feistiness, Dickens comments on each song, explaining how she came to write them and what they meant and continue to mean to her. Bill C. Malone's introduction traces Dickens's life, musical career, and development as a songwriter, In addition, Working Girl Blues features forty-one illustrations and a detailed discography of Dickens's commercial recordings. |
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... women in the field of bluegrass, a domain that had been notorious for its dominance by "good old boys.” Hazel and Alice truly were "pioneering women,“ with passionate duets and searing songs that inspired women to invade this masculine ...
... women in the field of bluegrass, a domain that had been notorious for its dominance by "good old boys.” Hazel and Alice truly were "pioneering women,“ with passionate duets and searing songs that inspired women to invade this masculine ...
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... women in her own family and by those who came to or worked in the clubs. She said, "I didn't have to work in a factory to see how badly women were treated. Playing in bluegrass, a male— dominated form of music, was enough.” She ...
... women in her own family and by those who came to or worked in the clubs. She said, "I didn't have to work in a factory to see how badly women were treated. Playing in bluegrass, a male— dominated form of music, was enough.” She ...
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... bluegrass music}2 Many women, both within and outside the bluegrass genre, became emboldened to pursue careers in music by hearing or observing the performances of the duo. After 1967, Hazel and Alice became part of the Strange Creek ...
... bluegrass music}2 Many women, both within and outside the bluegrass genre, became emboldened to pursue careers in music by hearing or observing the performances of the duo. After 1967, Hazel and Alice became part of the Strange Creek ...
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Contenido
1 | |
Illustrations follow page 30 | 30 |
Songs and Memories by Hazel Dickens | 31 |
Illustrations follow page 86 | 86 |
A Hazel Dickens Discography | 87 |
Index | 99 |
Otras ediciones - Ver todas
Working Girl Blues: The Life and Music of Hazel Dickens Hazel Dickens,Bill C Malone Vista de fragmentos - 2008 |
Working Girl Blues: The Life and Music of Hazel Dickens Hazel Dickens,Bill C Malone Vista de fragmentos - 2008 |
Working Girl Blues: The Life and Music of Hazel Dickens Hazel Dickens,Bill C Malone Sin vista previa disponible - 2008 |
Términos y frases comunes
ain’t album Alice Gerrard American audience back home Baltimore band banjo bass Bill Monroe Black Lung Bluegrass Music brother Clay County Miner coal miner’s grave concert country music cultural Dobro Dudley Connell Estep fiddle film Fly away little Folk Music friends Girl Blues gone guitar Hard to Tell Harlan County Hazel and Alice Hazel Dickens Hazel Dickens appears heart Hills inspired John Johnson Mountain Boys Kentucky knew Lamar Grier Left to right life’s Little Lenaldo little pretty bird lives lonely Lonesome Mama’s Hand mandolin Mike Seeger musicians Never Keep Old Love Old Memories Old River old songs old—time played poor Primitive Baptist Reissued Released Repeat Chorus Rounder Records sang sister Smithsonian Folkways soul soundtrack Strange Creek Singers style talk Tell the Singer There’s Tracy Schwarz traditional Various artists vocal wanted West Virginia woman women Women’s Bluegrass Collection writing written wrote this song
Pasajes populares
Página 33 - Since there's no help, come, let us kiss and part! Nay, I have done. You get no more of me! And I am glad, yea, glad with all my heart, That thus so cleanly I myself can free. Shake hands for ever! Cancel all our vows! And when we meet at any time again, Be it not seen in either of our brows That we one jot of former love retain.
Página 36 - West Virginia, oh my home /West Virginia's where I belong / In the dead of the night / In the still and the quiet / I slip away like a bird in flight / Back to those hills, the place that I call home," she sings on "West Virginia My Home.
Página 76 - Lord the poor miner, will his fight never end They'll abuse even murder him to further their plans Oh where is his victory how will it stand? It'll stand when poor working men all...
Página 78 - I remember the time when I could load more coal than any man Now my health is gone buried in, down in that dirty ground And they've taken away my rights...
Página 78 - And we'd talk about mining days when we got grown and big But now we're old broken men they don't need us around Though we gave our lives to make them rich they won't give us a dime...
Página 78 - cause mining's all he's known And miners don't get rich loadin' coal He's a sick man 'cause that coal dust took its stand But he don't expect to get no help from that operator man Chorus: Well it's good-bye old-timer, I guess our time has come Those waterholes that dirty coal dust eatin...
Página 70 - There's a man in a big house way up on the hill, Far, far from the shacks where the poor miners live. He's got plenty of money. Lord everything's fine. And he has forgotten the Maunington mine, Yes, he has forgotten the Mannington mine.
Página 71 - Estep, for distinguished service and self- sacrifice in the cause of labor and advancement of the United Mine Workers of America.