Egypt in 1898W. Blackwood and Sons, 1898 - 283 páginas |
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Página vi
... and trade . VIII . WATER . The fields of Egypt - What the Nile is to Egypt - The Barrage -The cultivation of Lower Egypt - History of the Barrage -The reservoir at Assouan . 81 94 CONTENTS . vii IX . AN EGYPTIAN ETON . In vi CONTENTS .
... and trade . VIII . WATER . The fields of Egypt - What the Nile is to Egypt - The Barrage -The cultivation of Lower Egypt - History of the Barrage -The reservoir at Assouan . 81 94 CONTENTS . vii IX . AN EGYPTIAN ETON . In vi CONTENTS .
Página vii
... Egyptian boy - Chronic dishonesty 106 X. A DAY IN THE DESERT . An Arab house- " Good all right hegin " -A sea of sand - A guide at fault - Lost in the desert XI . A NIGHT IN THE DESERT . The camel's real character - The desert Whiteley ...
... Egyptian boy - Chronic dishonesty 106 X. A DAY IN THE DESERT . An Arab house- " Good all right hegin " -A sea of sand - A guide at fault - Lost in the desert XI . A NIGHT IN THE DESERT . The camel's real character - The desert Whiteley ...
Página ix
... EGYPTIANS . Ancient Egyptian art - Rameses the Great - Character of the people - A nation of monumental masons . XXIII . THROUGH NUBIA . The first cataract - Phila - Nubia - The native telegraph - Sun- rise from Korosko - Abu Simbel ...
... EGYPTIANS . Ancient Egyptian art - Rameses the Great - Character of the people - A nation of monumental masons . XXIII . THROUGH NUBIA . The first cataract - Phila - Nubia - The native telegraph - Sun- rise from Korosko - Abu Simbel ...
Página x
... Egypt - Backsheesh— English workers in Egypt - The pick of the world - The danger of an unconquered Sudan - International burdens- No chance of our leaving Egypt . 264 274 ILLUSTRATIONS . STREET MUSICIANS . BOATS RACING TO A SHIP X ...
... Egypt - Backsheesh— English workers in Egypt - The pick of the world - The danger of an unconquered Sudan - International burdens- No chance of our leaving Egypt . 264 274 ILLUSTRATIONS . STREET MUSICIANS . BOATS RACING TO A SHIP X ...
Página 28
... Egyptian monuments caught my coat at every step , lisping half - English invitations to every named and unnamed indecency . But the next day I walked down the same streets utterly unnoticed . Port Said has its dark relaxations , but ...
... Egyptian monuments caught my coat at every step , lisping half - English invitations to every named and unnamed indecency . But the next day I walked down the same streets utterly unnoticed . Port Said has its dark relaxations , but ...
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