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MUSINGS AT NIGHT.

O pale art thou, my lamp, and faint
Thy melancholy ray:

When the still night's unclouded saint
Is walking on her way.

Through my lattice leaf-embower'd,
Fair she sheds her shadowy beam,
And o'er my silent sacred room,
Casts a checker'd twilight gloom; '
I throw aside the learned sheet,

I cannot choose but gaze, she looks so mildly sweet
Sad vestal, why art thou so fair,
Or why am I so frail?

Methinks thou lookest kindly on me, Moon,
And cheerest my lone hours with sweet regards;
Surely like me thou'rt sad, but dost not speak
Thy sadness to the cold unheeding crowd;
So mournfully composed, o'er yonder cloud
Thou shinest, like a cresset, beaming far

From the rude watch-tower, o'er the Atlantic wave,

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Yet once again, my Harp, yet once again,
One ditty more, and on the mountain ash
I will again suspend thee. I have felt
The warm tear frequent on my cheek, since last,
At eventide, when all the winds were hush'd,
I woke to thee the melancholy song.

Since then with Thoughtfulness, a maid severe,
I've journey'd, and have learn'd to shape the freak
Of frolic fancy to the line of truth;

Not unrepining, for my froward heart

Still turns to thee, mine Harp, and to the flow
Of spring-gales past-the woods and storied haunts
Of my not songless boyhood.—Yet once more,
Not fearless, I will wake thy tremulous tones,
My long neglected Harp.-He must not sink;
The good, the brave-he must not, shall not sink
Without the meed of some melodious tear.

Though from the Muse's chalice I may pour
No precious dews of Aganippe's well,
Or Castaly, though from the morning cloud
I fetch no hues to scatter on his hearse;
Yet I will wreath a garland for his brows,
Of simple flowers, such as the hedge-rows scent
Of Britain, my loved country; and with tears
Most eloquent, yet silent, I will bathe
Thy honour'd corse, my Nelson, tears as warm
And honest as the ebbing blood that flow'd
Fast from thy honest heart.-Thou, Pity, too,
If ever I have loved, with faltering step,
To follow thee in the cold and starless night,
To the top-crag of some rain-beaten cliff;
And as I heard the deep gun bursting loud
Amid the pauses of the storm, have pour'd
Wild strains, and mournful, to the hurrying winds,
The dying soul's viaticum; if oft

Amid the carnage of the field I've sate

With thee upon the moonlight throne, and sung

To cheer the fainting soldier's dying soul,
With mercy and forgiveness-visitant
Of heaven-sit thou upon my harp,

And give it feeling, which were else too cold
For argument so great, for theme so high.

How dimly on that morn the sun arose,
Kerchief'd in mists, and tearful, when-

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Come, Anna! come, the morning dawns,
Faint streaks of radiance tinge the skies:
Come, let us seek the dewy lawns,

And watch the early lark arise;
While nature, clad in vesture gay,
Hails the loved return of day.

Our flocks that nip the scanty blade
Upon the moor, shall seek the vale;
And then, secure beneath the shade,
We'll listen to the throstle's tale;

And watch the silver clouds above,
As o'er the azure vault they rove.

Come, Anna! come, and bring thy lute,
That with its tones, so softly sweet,
In cadence with my mellow flute,
We may beguile the noontide heat;
While near the mellow bee shall join,
To raise a harmony divine.

And then at eve, when silence reigns,
Except when heard the beetle's hum
We'll leave the sober-tinted plains,

To these sweet heights again we'll come;
And thou to thy soft lute shalt play
A solemn vesper to departing day.

THE PIOUS MAN.

The pious man,

In this bad world, when mists and couchant storms
Hide heaven's fine circlet, springs aloft in faith
Above the clouds that threat him, to the fields
Of ether, where the day is never veil'd
With intervening vapours; and looks down
Serene upon the troublous sea, that hides

The earth's fair breast; that sea whose nether face
To grovelling mortals frowns and darkness all;
But on whose billowy back, from man conceal'd,
The glaring sunbeam plays

"I AM PLEASED, AND YET I'M SAD."

I.

When twilight steals along the ground,
And all the bells are ringing round,

One, two, three, four, and five,

I at my study-window sit,

And, wrapped in many a musing fit,
To bliss am all alive.

II.

But though impressions calm and sweet
Thrill round my heart a holy heat,
And I am inly glad,

The tear-drop stands in either eye,
And yet I cannot tell thee why,

I am pleased, and yet I'm sad.

III.

The silvery rack that flies away
Like mortal life or pleasure's ray,

Does that disturb my breast?
Nay, what have I, a studious man,
To do with life's unstable plan,
Or pleasure's fading vest?

IV.

Is it that here I must not stop,
But o'er yon blue hill's woody top
Must bend my lonely way?

No, surely no! for give but me
My own fire-side, and I shall be
At home where'er I stray.

V.

Then is it that yon steeple there,
With music sweet shall fill the air,

When thou no more canst hear?
Oh, no! oh, no! for then forgiven,
I shall be with my God in heaven,
Released from every fear.
VI.

Then whence it is I cannot tell,
But there is some mysterious spell

That holds me when I'm glad;
And so the tear-drop fills my eye,
When yet in truth I know not why,

Or wherefore I am sad.

TO POESY.

Yes, my stray steps have wander'd, wander'd far From thee, and long, heart-soothing Poesy! And many a flower, which in the passing time My heart hath register'd, nipped by the chill Of undeserved neglect, hath shrunk and died. Heart-soothing Poesy!--Though thou hast ceased

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