Graphs, Maps, Trees: Abstract Models for Literary History

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Verso, 2007 - 119 páginas
The 'great iconoclast of literary criticism' ("Guardian") reinvents the study of the novel. Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new lustre to a tired field, one that in some respects is among "the most backwards disciplines in the academy." Literary study, he argues, has been random and unsystematic. For any given period, scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture. Moretti offers bar charts, maps, and time lines instead, developing the idea of "distant reading" into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres - the epistolary, the gothic, and the historical novel - as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

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Small but intriguing book. Got me thinking for the first time about the application of social science tools and techniques, such as as maps, graphs, charts, and statistics, to the humanities in general, not just literary history. An interdisciplinary kick starter.

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Acerca del autor (2007)

Franco Moretti teaches English and Comparative Literature at Columbia University. He is the author of Signs Taken for Wonders, The Way of the World and Modern Epic, all from Verso.

Alberto Piazza is Professor Human Genetics at the Medical School of Turin University. He is a co-author of the History and Geography of Human Genes.

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