The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 páginas |
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Página 15
... refinement and original device of the actor's own mind , and therefore deserves consideration . The character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely ...
... refinement and original device of the actor's own mind , and therefore deserves consideration . The character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely ...
Página 235
... refining on his schemes of vengeance , than to put them into immediate practice . His ruling passion is to think ... refinement in Hamlet . The neglect of punctilious exactness in his behaviour either partakes of the ' licence of the ...
... refining on his schemes of vengeance , than to put them into immediate practice . His ruling passion is to think ... refinement in Hamlet . The neglect of punctilious exactness in his behaviour either partakes of the ' licence of the ...
Página 331
... refinement of sentiment , which is hardly to be met with in any other prose writer whatever . Justice has not been done him by the world . He has in general passed for mere narrator of lascivious tales or idle jests . This character ...
... refinement of sentiment , which is hardly to be met with in any other prose writer whatever . Justice has not been done him by the world . He has in general passed for mere narrator of lascivious tales or idle jests . This character ...
Contenido
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Derechos de autor | |
Otras 34 secciones no mostradas
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Términos y frases comunes
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth