The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 páginas |
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Página 280
... scene he afterwards affects melancholy , from pure satisfaction of heart , and professes reform , because it is the farthest thing in the world from his thoughts . He has no qualms of conscience , and therefore would as soon talk of ...
... scene he afterwards affects melancholy , from pure satisfaction of heart , and professes reform , because it is the farthest thing in the world from his thoughts . He has no qualms of conscience , and therefore would as soon talk of ...
Página 299
... scene with Lady Anne is an admirable exhibition of smooth and smiling villainy . The progress of wily adulation , of encroaching humility , is finely marked by his action , voice and eye . He seems , like the first Tempter , to approach ...
... scene with Lady Anne is an admirable exhibition of smooth and smiling villainy . The progress of wily adulation , of encroaching humility , is finely marked by his action , voice and eye . He seems , like the first Tempter , to approach ...
Página 300
... scene in Macbeth , in Richard 11. , in Sir Giles Overreach , and lastly in Oroonoko ; but we still like to look back to his first performance of this part , both because it first assured his admirers of his future success , and because ...
... scene in Macbeth , in Richard 11. , in Sir Giles Overreach , and lastly in Oroonoko ; but we still like to look back to his first performance of this part , both because it first assured his admirers of his future success , and because ...
Contenido
On the Love of Life I | 1 |
On the Tatler 704 | 7 |
On Mr Keans Iago | 14 |
Derechos de autor | |
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Términos y frases comunes
actor admiration affections Antony Apemantus appear Banquo beauty Beggar's Opera Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic earth equal excellence excited eyes Falstaff fame fancy favourite fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour human Iago idea imagination indifference instance interest Juliet Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard RICHARD II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler thee things thou art thought Titian tragedy true truth whole words writer