Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 26
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... Altman (1999), Dixon (2000), and Neale (2000) convey the continued interest in genre. Although a rudimentary genre criticism would appear to leave the critic's main task as a taxonomic one, consistent with its structuralist roots, it is ...
... Altman (1999), Dixon (2000), and Neale (2000) convey the continued interest in genre. Although a rudimentary genre criticism would appear to leave the critic's main task as a taxonomic one, consistent with its structuralist roots, it is ...
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... subgenres allows us to reframe the debate on what Irish Cinema is, was, and what it can become. I am hopeful that this volume will spark such debates. WORKS CITED Altman, R. (1999) “A Semantic/Syntactic Approach to Film 6 Brian McIlroy.
... subgenres allows us to reframe the debate on what Irish Cinema is, was, and what it can become. I am hopeful that this volume will spark such debates. WORKS CITED Altman, R. (1999) “A Semantic/Syntactic Approach to Film 6 Brian McIlroy.
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Ireland and Transnationalism Brian McIlroy. WORKS CITED Altman, R. (1999) “A Semantic/Syntactic Approach to Film Genre,” in Film/ Genre, London: BFI. (Original work published Cinema Journal, 23 (3): 6– 18, 1984). Bakhtin, M. M. (1986) ...
Ireland and Transnationalism Brian McIlroy. WORKS CITED Altman, R. (1999) “A Semantic/Syntactic Approach to Film Genre,” in Film/ Genre, London: BFI. (Original work published Cinema Journal, 23 (3): 6– 18, 1984). Bakhtin, M. M. (1986) ...
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... has shifted away from genre definition towards exploration of what Jim Collins (1993) has termed genericity and Rick Altman (1998, 1999), genrification—terms emphasizing the material conditions and possibilities of 1 Genre and nation.
... has shifted away from genre definition towards exploration of what Jim Collins (1993) has termed genericity and Rick Altman (1998, 1999), genrification—terms emphasizing the material conditions and possibilities of 1 Genre and nation.
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... Altman suggests, that competitor studios or production companies have made successful, thereby hybridizing the host genre. Steve Baker's (2004) astute analysis of Resurrection Man (Marc Evans, 1998)—a film which engages particular ...
... Altman suggests, that competitor studios or production companies have made successful, thereby hybridizing the host genre. Steve Baker's (2004) astute analysis of Resurrection Man (Marc Evans, 1998)—a film which engages particular ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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