Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 82
Página 1
... American cultural dominance? What strategies do Irish filmmakers embark upon to counteract or negotiate this cultural position? How does this bargaining affect the content and form ofthe films made? To what extent have Irish filmmakers ...
... American cultural dominance? What strategies do Irish filmmakers embark upon to counteract or negotiate this cultural position? How does this bargaining affect the content and form ofthe films made? To what extent have Irish filmmakers ...
Página 2
... American cinema: Neale (2000), Ryall (1998), Schatz (1981), to name only a few. There have also been numerous books on individual genres in the American cinema, most notably on the western, film noir, and the musical. One of the central ...
... American cinema: Neale (2000), Ryall (1998), Schatz (1981), to name only a few. There have also been numerous books on individual genres in the American cinema, most notably on the western, film noir, and the musical. One of the central ...
Página 3
... American or art house European. To some degree, this instability is why I have chosen to utilize the term ... America and Britain for cofinancing of its feature films, although continental European influence (mostly French), if not money ...
... American or art house European. To some degree, this instability is why I have chosen to utilize the term ... America and Britain for cofinancing of its feature films, although continental European influence (mostly French), if not money ...
Página 4
... American genre concepts, but sharing the rent, and even paying the mortgage. To extend the metaphor further, while Ireland only owns a small house, it does negotiate the terms of that mortgage. In Part I, “Genre, Ireland, and Theory ...
... American genre concepts, but sharing the rent, and even paying the mortgage. To extend the metaphor further, while Ireland only owns a small house, it does negotiate the terms of that mortgage. In Part I, “Genre, Ireland, and Theory ...
Página 7
... American Suppression of Republican Images in Film and Television, Jef- ferson, NC: McFarland. Dixon, W. W. (2000) Film Genre 2000: New Critical Essays, Albany: State Uni- versity of New York Press. Frye, N. (1957) Anatomy of Criticism ...
... American Suppression of Republican Images in Film and Television, Jef- ferson, NC: McFarland. Dixon, W. W. (2000) Film Genre 2000: New Critical Essays, Albany: State Uni- versity of New York Press. Frye, N. (1957) Anatomy of Criticism ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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