Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
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Página ix
... Company of Wolves 191 DANA OCH PART VI Genre and the city film 203 14 Cinema, city, and imaginative space: “Hip hedonism” and recent Irish cinema 205 MARTIN MCLOONE 15 Cityscapes of fluid desire: Queering the romantic comedy in Liz ...
... Company of Wolves 191 DANA OCH PART VI Genre and the city film 203 14 Cinema, city, and imaginative space: “Hip hedonism” and recent Irish cinema 205 MARTIN MCLOONE 15 Cityscapes of fluid desire: Queering the romantic comedy in Liz ...
Página xiv
... Company of Wolves Print Source: The Kobal Collection. About Adam Print Source: The Irish Film Archive. Permission courtesy of Marina Hughes, Venus Productions. Goldfish Memory Print Source: The Irish Film Archive. Permission courtesy of ...
... Company of Wolves Print Source: The Kobal Collection. About Adam Print Source: The Irish Film Archive. Permission courtesy of Marina Hughes, Venus Productions. Goldfish Memory Print Source: The Irish Film Archive. Permission courtesy of ...
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... Company of Wolves,” echoes the findings of Pramaggiore by illustrating that the conventional horror film that The Company of Wolves (1984) seems to begin to offer is “jammed” and takes the viewer in an entirely different direction. One ...
... Company of Wolves,” echoes the findings of Pramaggiore by illustrating that the conventional horror film that The Company of Wolves (1984) seems to begin to offer is “jammed” and takes the viewer in an entirely different direction. One ...
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Página 179
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Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming