Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 18
Página ix
... Goldfish Memory 217 NATALIE HARROWER PART VII Northern Irish commemorative cinema 231 16 Mourning and solidarity: The commemorative models of Some Mother's Son and H3 233 JENNIE CARLSTEN 17 Genre Politics: Bloody Sunday as documentary ...
... Goldfish Memory 217 NATALIE HARROWER PART VII Northern Irish commemorative cinema 231 16 Mourning and solidarity: The commemorative models of Some Mother's Son and H3 233 JENNIE CARLSTEN 17 Genre Politics: Bloody Sunday as documentary ...
Página xiv
... Goldfish Memory Print Source: The Irish Film Archive. Permission courtesy of Elizabeth Gill, Goldfish Films. Photographer Pat Redmond. Goldfish Memory Goldfish Memory Figure 15.1 and 15.2 Print Source: The Irish Film Archive. Permission ...
... Goldfish Memory Print Source: The Irish Film Archive. Permission courtesy of Elizabeth Gill, Goldfish Films. Photographer Pat Redmond. Goldfish Memory Goldfish Memory Figure 15.1 and 15.2 Print Source: The Irish Film Archive. Permission ...
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... Goldfish Memory,” takes a more positive spin on at least one of these new Dublin city films. Harrower shows the romantic comedy is queered successfully, suggesting that nonnormative sexualities are gaining acceptance in the Irish ...
... Goldfish Memory,” takes a more positive spin on at least one of these new Dublin city films. Harrower shows the romantic comedy is queered successfully, suggesting that nonnormative sexualities are gaining acceptance in the Irish ...
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Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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Términos y frases comunes
aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming