Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 29
Página iv
... I85G46 2007 791.4309415——dc22 2006038388 Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the Routledge Web site at http://www.routledge.com In Memory of my Mother (1926–2003), who lived her whole. Copyright.
... I85G46 2007 791.4309415——dc22 2006038388 Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the Routledge Web site at http://www.routledge.com In Memory of my Mother (1926–2003), who lived her whole. Copyright.
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Ireland and Transnationalism Brian McIlroy. In Memory of my Mother (1926–2003), who lived her whole life in Northern Ireland. Contents Preface Illustrations Acknowledgments Introduction 1 BRIAN MCILROY PART I.
Ireland and Transnationalism Brian McIlroy. In Memory of my Mother (1926–2003), who lived her whole life in Northern Ireland. Contents Preface Illustrations Acknowledgments Introduction 1 BRIAN MCILROY PART I.
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... Mother's Son and H3 233 JENNIE CARLSTEN 17 Genre Politics: Bloody Sunday as documentary and discourse 245 JOSEPH MOSER 18 Memory work: Omagh and the Northern Irish monumentary 261 BRIAN MCILROY Contributors 273 Index 277 Preface In ...
... Mother's Son and H3 233 JENNIE CARLSTEN 17 Genre Politics: Bloody Sunday as documentary and discourse 245 JOSEPH MOSER 18 Memory work: Omagh and the Northern Irish monumentary 261 BRIAN MCILROY Contributors 273 Index 277 Preface In ...
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... Mother's Son and H3,” picks up on a phrase used by Gordon Gillespie (2003), “Commemorative Cinema,” to begin a discussion of how Northern Irish audiences can enter a positive mourning process. Carlsten argues that Some Mother's Son ...
... Mother's Son and H3,” picks up on a phrase used by Gordon Gillespie (2003), “Commemorative Cinema,” to begin a discussion of how Northern Irish audiences can enter a positive mourning process. Carlsten argues that Some Mother's Son ...
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... mothers. However, differences are equally significant. The Travellers' lack of fixed location in Into the West ... Mother Ireland. To Ossie's concluding question, repeated throughout the film, as to whether Travellers are cowboys or ...
... mothers. However, differences are equally significant. The Travellers' lack of fixed location in Into the West ... Mother Ireland. To Ossie's concluding question, repeated throughout the film, as to whether Travellers are cowboys or ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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