Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 36
Página viii
... Sheridan's The Boxer THOMAS HEMMETER 6 Triangulating influence: Genre in I Went Down, Eat the Peach, and The General SCOTT RUSTON PART III Transnational and transformational contexts 7 Images of migration in Irish film: Thinking inside ...
... Sheridan's The Boxer THOMAS HEMMETER 6 Triangulating influence: Genre in I Went Down, Eat the Peach, and The General SCOTT RUSTON PART III Transnational and transformational contexts 7 Images of migration in Irish film: Thinking inside ...
Página 2
... Sheridan (Barton 2002) and Neil Jordan (Rockett and Rockett 2003). It is my view that turning to genre provides a framework for new, different, and larger issues to be addressed. Genre theory brings to the table a constructive critical ...
... Sheridan (Barton 2002) and Neil Jordan (Rockett and Rockett 2003). It is my view that turning to genre provides a framework for new, different, and larger issues to be addressed. Genre theory brings to the table a constructive critical ...
Página 4
Ireland and Transnationalism Brian McIlroy. suggests that any beliefthat genre films, or films ... Film,” takes the fairly controversial position that even in what are deemed ... Sheridan's The Boxer ”[1997]. Hemmeter draws usefully upon the ...
Ireland and Transnationalism Brian McIlroy. suggests that any beliefthat genre films, or films ... Film,” takes the fairly controversial position that even in what are deemed ... Sheridan's The Boxer ”[1997]. Hemmeter draws usefully upon the ...
Página 7
... Cinema Journal, 23 (3): 6– 18, 1984). Bakhtin, M. M. (1986) “The Problem of Speech Genres,” in Speech Genres & Other Late Essays, trans. V. W. McGee, Austin: University of Texas Press. Barton, R. (2002)Jim Sheridan: Framing the Nation ...
... Cinema Journal, 23 (3): 6– 18, 1984). Bakhtin, M. M. (1986) “The Problem of Speech Genres,” in Speech Genres & Other Late Essays, trans. V. W. McGee, Austin: University of Texas Press. Barton, R. (2002)Jim Sheridan: Framing the Nation ...
Página 13
... Sheridan's The Boxer (1997) comes to mind here. Similarly, innovation may be achieved internally by borrowing from neighboring generic cycles, often those, as Rick Altman suggests, that competitor studios or production companies have ...
... Sheridan's The Boxer (1997) comes to mind here. Similarly, innovation may be achieved internally by borrowing from neighboring generic cycles, often those, as Rick Altman suggests, that competitor studios or production companies have ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming