Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
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Página 6
... contemporary reception of gritty Dublin in The Courier (Joe Lee and Frank Deasy, 1988) to the middle-class paradise ... Irish mainstream, in conjunction with the repositioning of Dublin as a multicultural and international city. Finally, in ...
... contemporary reception of gritty Dublin in The Courier (Joe Lee and Frank Deasy, 1988) to the middle-class paradise ... Irish mainstream, in conjunction with the repositioning of Dublin as a multicultural and international city. Finally, in ...
Página 7
... Irish National Cinema, London: Routledge. Bordwell, D. (1979) “The Art Cinema as Mode of Film Practice,” Film ... Contemporary Irish Cinema: From The Quiet Man to Dancing at Lughnasa, Syracuse, NY: Syracuse University Press. Landy, M ...
... Irish National Cinema, London: Routledge. Bordwell, D. (1979) “The Art Cinema as Mode of Film Practice,” Film ... Contemporary Irish Cinema: From The Quiet Man to Dancing at Lughnasa, Syracuse, NY: Syracuse University Press. Landy, M ...
Página 11
Ireland and Transnationalism Brian McIlroy. 1. Genre. and. nation. Christine. Gledhill. Approaching Irish cinema through ... contemporary Irish filmmaking frequently mixes motifs clearly marked as nationally specific with an eclectic array of ...
Ireland and Transnationalism Brian McIlroy. 1. Genre. and. nation. Christine. Gledhill. Approaching Irish cinema through ... contemporary Irish filmmaking frequently mixes motifs clearly marked as nationally specific with an eclectic array of ...
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... Irish cinema in the last three decades. GENERICITY IN TWO IRISH FILMS The role ofgenericity in Irish filmmaking is ... contemporary and traditional Irish cultures intermingle as modifiers or in tension with those from American genres ...
... Irish cinema in the last three decades. GENERICITY IN TWO IRISH FILMS The role ofgenericity in Irish filmmaking is ... contemporary and traditional Irish cultures intermingle as modifiers or in tension with those from American genres ...
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Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming