Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
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Página ix
... Bloody Sunday as documentary and discourse 245 JOSEPH MOSER 18 Memory work: Omagh and the Northern Irish monumentary 261 BRIAN MCILROY Contributors 273 Index 277 Preface In April 2004, I received a three-year research grant Contents ix.
... Bloody Sunday as documentary and discourse 245 JOSEPH MOSER 18 Memory work: Omagh and the Northern Irish monumentary 261 BRIAN MCILROY Contributors 273 Index 277 Preface In April 2004, I received a three-year research grant Contents ix.
Página 6
... Discourse,” takes the view that Paul Greengrass's gripping 2002 film, shot within the tradition of a documentary mode of direct cinema style, can be seen as a hybrid form, a “dramatic reconstruction,” serving as a means to give voice to ...
... Discourse,” takes the view that Paul Greengrass's gripping 2002 film, shot within the tradition of a documentary mode of direct cinema style, can be seen as a hybrid form, a “dramatic reconstruction,” serving as a means to give voice to ...
Página 8
... Movie, Oxford: Blackwell. White, H. (1987) The Content of the Form: Narrative Discourse and Historical Representation, Baltimore: Johns Hopkins University Press. Part I Genre, Ireland, and theory 1 Genre and nation 8 Brian McIlroy.
... Movie, Oxford: Blackwell. White, H. (1987) The Content of the Form: Narrative Discourse and Historical Representation, Baltimore: Johns Hopkins University Press. Part I Genre, Ireland, and theory 1 Genre and nation 8 Brian McIlroy.
Página 13
... discourses and representations around gender, ethnicity, and sexuality. Such shifts may involve rearticulation of themes or motifs within the genre as when police procedurals or boxing sagas change the gender or ethnicity of key ...
... discourses and representations around gender, ethnicity, and sexuality. Such shifts may involve rearticulation of themes or motifs within the genre as when police procedurals or boxing sagas change the gender or ethnicity of key ...
Página 21
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Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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Términos y frases comunes
aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming