Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 48
Página ii
... and Cultural Citizenship Sites of Production Edited by Tina Mai Chen and David S. Churchill 4. Genre and Cinema Ireland and Transnationalism Edited by Brian McIlroy Genre and Cinema Ireland and Transnationalism Edited by Brian McIlroy.
... and Cultural Citizenship Sites of Production Edited by Tina Mai Chen and David S. Churchill 4. Genre and Cinema Ireland and Transnationalism Edited by Brian McIlroy Genre and Cinema Ireland and Transnationalism Edited by Brian McIlroy.
Página xiv
... Productions. The Good Thief Print Source: The Kobal Collection. The Company of Wolves Print Source: The Kobal Collection. About Adam Print Source: The Irish Film Archive. Permission courtesy of Marina Hughes, Venus Productions. Goldfish ...
... Productions. The Good Thief Print Source: The Kobal Collection. The Company of Wolves Print Source: The Kobal Collection. About Adam Print Source: The Irish Film Archive. Permission courtesy of Marina Hughes, Venus Productions. Goldfish ...
Página xv
... Productions; Marina Hughes at Venus Productions; Martin Mahon at Yellow Asylum Films; and Portman Films. For permission to republish Ruth Barton's essay, I would like to thank Jerry White, General Editor of The Canadian Journal of Irish ...
... Productions; Marina Hughes at Venus Productions; Martin Mahon at Yellow Asylum Films; and Portman Films. For permission to republish Ruth Barton's essay, I would like to thank Jerry White, General Editor of The Canadian Journal of Irish ...
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... produce different genres. Clearly, it is more complicated than that, with a range of influences from established film industries impacting on smaller film producing communities. To this day, Ireland relies on America and Britain for ...
... produce different genres. Clearly, it is more complicated than that, with a range of influences from established film industries impacting on smaller film producing communities. To this day, Ireland relies on America and Britain for ...
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... production as a means of ideological control, particularly by American studios seeking to dominate world markets. Similarly, the “national” is critiqued as an ideological unity serving ruling institutions or narrowly conceived ...
... production as a means of ideological control, particularly by American studios seeking to dominate world markets. Similarly, the “national” is critiqued as an ideological unity serving ruling institutions or narrowly conceived ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
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Términos y frases comunes
aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming