Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2012 M08 6 - 304 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-5 de 23
Página viii
... Transnational and transformational contexts 7 Images of migration in Irish film: Thinking inside the box CHERYL HERR 8 “Sometimes the imagination is a safer place”: Fantastic spaces and The Fifth Province MATTHEW FEE 9 Opening the ...
... Transnational and transformational contexts 7 Images of migration in Irish film: Thinking inside the box CHERYL HERR 8 “Sometimes the imagination is a safer place”: Fantastic spaces and The Fifth Province MATTHEW FEE 9 Opening the ...
Página 1
... transnational perspective. To put the spotlight on Ireland is a valuable enterprise within an English-language cinema context. How has a small, yet politically divided, mostly English-speaking country been able to flourish culturally ...
... transnational perspective. To put the spotlight on Ireland is a valuable enterprise within an English-language cinema context. How has a small, yet politically divided, mostly English-speaking country been able to flourish culturally ...
Página 4
... transnational flows and genrification in particular, as inclusive structuring processes and knowledge producing systems that reach their potential in the filmic sphere. The ramifications of this flow of influences bear on many of the ...
... transnational flows and genrification in particular, as inclusive structuring processes and knowledge producing systems that reach their potential in the filmic sphere. The ramifications of this flow of influences bear on many of the ...
Página 5
... Transnational and Transformational Contexts,” Cheryl Herr's “Images of Migration in Irish Film: Thinking Inside the Box,” makes very real the debate of transnational flows by focusing on those films that focus on confinement and human ...
... Transnational and Transformational Contexts,” Cheryl Herr's “Images of Migration in Irish Film: Thinking Inside the Box,” makes very real the debate of transnational flows by focusing on those films that focus on confinement and human ...
Página 12
... transnational” cinema. This term, however, simply postpones the problematic “national” in the process of “trans-ing.” In postcolonial theorizing, the “national” takes on a strategic if no less problematic significance—it requires ...
... transnational” cinema. This term, however, simply postpones the problematic “national” in the process of “trans-ing.” In postcolonial theorizing, the “national” takes on a strategic if no less problematic significance—it requires ...
Contenido
1 | |
9 | |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
Index | 277 |
Otras ediciones - Ver todas
Términos y frases comunes
aesthetic Altman American argues audience Belfast Bloody Sunday Boxer boxing films Brendan Met Trudy British Celtic Tiger characters classic Hollywood colonial commemorative Company of Wolves conflict contemporary Irish context Cooper Cork critical Dancing at Lughnasa Danny depictions discourse documentary Dublin economic Éireville essay fantastic fiction Fifth Province Figure Film Genre film’s Ford’s Friel gangster genre films global Goldfish Memory gothic Hollywood genres hybrid ideological images indigenous Irish cinema Irish Film Archive Irish language Ivan Cooper Jim Sheridan Jordan’s films landscape London McIlroy McLoone Michael modern Mother’s movie narrative National Cinema Neil Jordan Northern Ireland ofthe Omagh past Permission courtesy perspective Pettitt Poitín political postcolonial postmodern Print Source production protagonist Quiet Reefer representation Rockett romantic comedy Rosaleen rural scene screen sexual Sheridan’s film shot social space specific story structures suggests tion traditional transnational University Press urban viewers violence visual Yu Ming