SophoclesG. Allen, 1902 - 215 páginas |
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Página xi
Sophocles John Swinnerton Phillimore. by the original . antiquity appear to me to have played the fool so much as in this sort of choruses , in which eloquence was debased by an excessive affectation of novelty , and in aiming at verbal ...
Sophocles John Swinnerton Phillimore. by the original . antiquity appear to me to have played the fool so much as in this sort of choruses , in which eloquence was debased by an excessive affectation of novelty , and in aiming at verbal ...
Página xxxiv
... play of Aeschylus the chorus still predominates . But later either he divined . or Sophocles taught him to see what modifi- cation was necessary to make the obsolescent form fit the newer taste . And Aeschylus , in the Trilogy ...
... play of Aeschylus the chorus still predominates . But later either he divined . or Sophocles taught him to see what modifi- cation was necessary to make the obsolescent form fit the newer taste . And Aeschylus , in the Trilogy ...
Página xxxv
... to himself , " Here is Attic Tragedy , the note of which is a blending of lyric and prose dramatic : what is the greatest excellence of which this literary kind admits ? How can I reconcile the play of figures in high INTRODUCTION XXXV.
... to himself , " Here is Attic Tragedy , the note of which is a blending of lyric and prose dramatic : what is the greatest excellence of which this literary kind admits ? How can I reconcile the play of figures in high INTRODUCTION XXXV.
Página xxxvi
... Play is usually a dangerous misnomer . We invite misconcep- tion by speaking of the Ecclésia as an Athenian Parliament , the Stratêgoi as an Athenian Ministry ; and just so if by a Play we under- stand all that the word has come to ...
... Play is usually a dangerous misnomer . We invite misconcep- tion by speaking of the Ecclésia as an Athenian Parliament , the Stratêgoi as an Athenian Ministry ; and just so if by a Play we under- stand all that the word has come to ...
Página xxxix
... scope , substituting the single play for the Trilogy . It is a testimony to the extraordinary grandeur of Aeschylus ' genius that the Trilogy 1 Pref . xxxiv . should be the form in which it naturally moved and INTRODUCTION xxxix.
... scope , substituting the single play for the Trilogy . It is a testimony to the extraordinary grandeur of Aeschylus ' genius that the Trilogy 1 Pref . xxxiv . should be the form in which it naturally moved and INTRODUCTION xxxix.
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Términos y frases comunes
1st Counter-turn 1st Turn 2nd Counter-turn 2nd Turn 4th century B.C. 5th century Aegeus Aeschylus Ajax Antigone Apollo Athens Attic blind brother child CHORUS Colonos Creon curse daughter dead dear death diction Dionysus dipus divine doom dread Edipus Edipus Coloneus Edipus Rex Enter Eteocles Euripides Exit eyes fate father fear gain God's Gods Greek grim Haemon hand hear heart honour ISMENE Jocasta kill King Laïos land living look Lord maids march measure Menoeceus mind mother murder ne'er Neoptolemus never pain Periclean Periclean Age Phoebus phrase play Plutarch poet Polybus Polyneices pray Prince prove shame Shep sire Sophocles speak style suppliant sweet tale Teiresias tell Theban Thebes thee Theseus thing thou thought Tragedy twas What's word wretch Zeus ἂν γὰρ τὸ