Scourged to his dungeon, but, sustained and soothed Like one who wraps the drapery of his couch WILLIAM CULLEN BRYANT. DEDICATION OF GETTYSBURG CEMETERY. [Delivered at Gettysburg, Pa., Nov. 19, 1863. The speaker should deliver this oration in a solemn and impressive tone of voice, enunciating distinctly each word.] Fourscore and seven years ago our fathers brought forth upon this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now, we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field as a final resting-place for those who here gave their lives that the nation might live. It is altogether fitting and proper that we should do this. But, in a large sense, we cannot dedicate--we cannot consecrate -we cannot hallow this ground. The brave men, living and dead, who struggled here, have consecrated far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us, the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us, that from these honored dead we take increased devotion for that cause for which they gave the last full measure of devotion; that we here highly resolve that these dead shall not have died in vain; that this nation, under God, shall have a new birth of freedom; and that a government of the people, by the people, and for the people, shall not perish from the earth. ABRAHAM LINCOLN. THE ISLE OF LONG AGO. O a wonderful stream is the river Time, How the winters are drifting, like flakes of snow, And the year in the sheaf, so they come and they go, As it glides in the shadow and sheen. There's a magical isle up the river Time, And the Junes with the roses are straying. And the name of that Isle is the Long Ago, There are brows of beauty and bosoms of snow; There are fragments of song that nobody sings, There's a lute unswept, and a harp without strings; And the garments that she used to wear. There are hands that are waved when the fairy shore By the mirage is lifted in air, And we sometimes hear through the turbulent roar Sweet voices we heard in the days gone before. When the wind down the river is fair. O remembered for aye, be the blessed Isle, When the evening comes with its beautiful smile, THE GEOGRAPHY DEMON. I hate my geography lesson! It's nothing but nonsense and names I think it's the greatest of shames. The brooks they flow into the rivers, Of late, even more I've disliked it, I thought that a great horrid monster Enveloped in darkness and gloom; His body and head like a mountain, His arms and his legs were like rivers, He laid on my poor trembling shoulder He roared forth this horrible song: "Come! come! rise and come It flows o'er the plains of Timbuctoo, With the peak of Teneriffe just in view. "Flee! flee! rise and flee Away to the banks of the Tombigbee! "We'll pass by Alaska's flowery strand, While the apes of Barbary frisk around, "Hie! hie! rise and hie Away to the banks of Yangtzeki! Where the giant mountains of Oshkosh stand, And the icebergs glean through the falling sand; While the elephant sits on the palm tree high And the cannibals feast on bad boy pie. "Go! go! rise and go Away to the banks of the Hoangho; There the Chickasaw sachem makes his tea, These terrible words were still sounding Like trumpets and drums through my head, When the monster clutched tighter my shoulder, And dragged me half out of the bed. In terror I clung to the bedpost; but the I screamed out aloud in my anguish, He was gone, but I cannot forget him, He has my first thought in the morning, Do you blame me for hating my lesson? ANONYMOUS. THERE'S BUT ONE PAIR OF STOCKINGS TO MEND TO-NIGHT. [This should be spoken in a simple, unaffected manner; at times the voice should sink to low, soft, tremulous tones, as the good wife recalls memories of the dear departed.] An old wife sat by her bright fireside, In an ancient chair whose creaky frame While down by her side, on the kitchen floor, Stood a basket of worsted balls-a score. The good man dozed o'er the latest news, Yet still sat the wife in the ancient chair, But anon a misty tear-drop came In her eye of faded blue, Then trickled down in a furrow deep, Like a single drop of dew; So deep was the channel-so silent the stream The good man saw naught but the dimmed eye-beam. Yet he marveled much that the cheerful light Of her eye had weary grown, And marveled he more at the tangled balls; |