| Kevin J. H. Dettmar - 1992 - 406 páginas
...vanquished" (197). Hutcheon makes a similar case for postmodern writing: "we now get the histories ... of the losers as well as the winners, of the regional...the unsung many as well as the much sung few, and ... of women as well as men" (Politics, 66). 35. Virginia Woolf, Flush (New York: Harcourt Brace Jovanovich,... | |
| Keith Jenkins - 1997 - 462 páginas
...the unitary, closed, evolutionary narratives of historiography as we have traditionally known it: ... we now get the histories (in the plural) of the losers...sung few, and I might add, of women as well as men. Linda Hutcheon My reflections begin with the contradictory desires within contemporary American feminism... | |
| Susan Stanford Friedman - 1998 - 327 páginas
...text" is always open to interrogation (53). This awareness of the historian as narrator makes possible "the histories (in the plural) of the losers as well...(and colonial) as well as the centrist, of the unsung as well as the much sung few, and I might add, of women as well as men" (66). Hutcheon's "histories... | |
| W. Jackson Rushing - 1999 - 260 páginas
...heterogeneous discourses. Hutcheon states, "as we have been seeing in historiographic metafiction . . . we now get the histories (in the plural) of the losers...winners, of the regional (and colonial) as well as the centrist."24 In this postmodern moment, this ocean of cultural identities, boundaries are blurred as... | |
| Alexandra Carter - 2004 - 212 páginas
...perspective, we can consider 'the histories ... of the losers as well as the winners, of the regional ... as well as the centrist, of the unsung many as well as the much sung few' (Hutcheon 1989: 66). This is now happening in our dance literature: Burt and Kavanagh have written... | |
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