A lip for endless love should all prove just ; While thus with earnest looks the people gaze, And clustering hoofs succeed with stately stir Nought else is heard some time, the people are so still. I would fain go on with this procession, which the art of the poet continues to make us see and hear and almost feel, so vividly does he describe the pageantry, the noise, and the jostling. But it fills the whole canto, and there is yet another poem for which I must make room. Every mother knows these pathetic stanzas. I shall never forget attempting to read them to my faithful maid, the hemmer of flounces, whose fair-haired Saxon boy, her pet and mine, was then fast recovering from a dangerous illness. I attempted to read these verses, and did read as many as I could for the rising in the throat, the hysterica passio of poor Lear, and as many as my auditor could hear for her own sobs. No doubt they have often extorted such praises-the truest and the most precious that can be given. TO T. L. H., SIX YEARS OLD, DURING A SICKNESS. Sleep breathes at last from out thee My little patient boy; And balmy rest about thee- I sit me down and think Thy sidelong pillowed meekness, The little trembling hand Sorrows I've had, severe ones, I will not think of now; But when thy fingers press Ah, first-born of thy mother Kind playmate of thy brother, My light where'er I go, My bird when prison-bound, To say He has departed, His voice, his face is gone! The name of Percy Bysshe Shelley is united to that of Leigh Hunt by many associations. They were in Italy together; they were friends; and the survivor has never ceased to bewail the untimely catastrophe of that great poet. In how many senses does that early and sudden death appear untimely to our dim eyes! Doubtless all was wise, all just, all merciful; yet to our finite perceptions, he seemed snatched away just as his spirit was preparing to receive the truths to which it had before been blinded. However, this rests with an All-wise, and an Allmerciful Judge, and is far beyond our imperfect speculations. In a literary point of view, there is no doubt but every succeeding poem showed the gradual clearing away of the mists and vapours with which, in spite of his exquisite rhythm, and a thousand beauties of detail, his fine genius was originally clouded. The first time I ever met with any of his works, this vagueness brought me into a ludicrous dilemma. It was in the great library of Tavistock House that Mr. Perry one morning put into my hand a splendidly printed, and splendidly bound volume (" Alastor,” I think), and desired me to read it, and give him my opinion: "You will at least know," said he, "whether it be worth anybody else's reading." Accordingly I took up the magnificent presentation copy, and read conscientiously until visitors came in. I had no marker, and the richly-bound volume closed as if instinctively, so that when I resumed my task on the departure of the company, not being able to find my place, I was obliged to begin the book at the first line. More visitors came, and went, and still the same calamity befell me; again, and again, and again, I had to search in vain amongst a succession of melodious lines as like each other as the waves of the sea, for buoy or landmark, and had always to put back to shore, and begin my voyage anew. I do not remember having been ever in my life more ashamed of my own stupidity than when obliged to say to Mr. Perry, in answer to his questions as to the result of my morning's studies, that, doubtless, it was a very fine poem-only that I never could tell when I took up the book, where I had left off half an hour before; an unintended criticism, which, as characteristic both of author, and reader, very much amused my kind and clever host. Now, could such a calamity befall even the stupidest of young girls, in reading that perfection of clearness and dramatic construction, "The Cenci ?" Ah! what a tragic poet was lost in that boatwreck! Could it have happened with the "Ode to the Skylark," an ode as melodious, as various, and as brilliant as the song of the bird it celebrates. Both seem soaring upward to Heaven, and pouring forth an unconscious hymn of praise and thanksgiving. TO THE SKYLARK. Hail to thee, blythe spirit! Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher, From the earth thou springest; Like a cloud of fire, The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning Of the sunken sun, O'er which clouds are brightening, Thou dost float and run, Like an unbodied joy whose race is just begun. The pale purple even Melts around thy flight; Like a star of heaven, In the broad daylight Thou art unseen, but yet I hear thy shrill delight. Keen as are the arrows Of that silver sphere, Whose intense lamp narrows In the white dawn clear, Until we hardly see, we feel that it is there. All the earth and air From one lonely cloud The moon rains out her beams, and heaven is overflowed. |