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XIII.

ON APPROACHING THE STAUB-BACH, LAUTERBRUNNEN.

TRACKS let me follow far from human-kind
Which these illusive greetings may not reach;
Where only Nature tunes her voice to teach
Careless pursuits, and raptures unconfined.
No Mermaid warbles (to allay the wind
That drives some vessel tow'rd a dangerous beach)
More thrilling melodies! no caverned Witch,
Chanting a love-spell, ever intertwined

Notes shrill and wild with art more musical!
Alas! that from the lips of abject Want
And Idleness in tatters mendicant

The strain should flow-enjoyment to enthral,
And with regret and useless pity haunt

This bold, this pure, this sky-born WATERFALL!

XIV.

THE FALL OF THE AAR HANDEC.

FROM the fierce aspect of this River throwing
His giant body o'er the steep rock's brink,
Back in astonishment and fear we shrink:
But, gradually a calmer look bestowing,
Flowers we espy beside the torrent growing;
Flowers that peep forth from many a cleft and chink,
And, from the whirlwind of his anger, drink
Hues ever fresh, in rocky fortress blowing:
They suck, from breath that threatening to destroy
Is more benignant than the dewy eve,
Beauty, and life, and motions as of joy :

Nor doubt but HE to whom yon Pine-trees nod
Their heads in sign of worship, Nature's God,
These humbler adorations will receive.

XV.

SCENE ON THE LAKE OF BRIENTZ.

"WHAT know we of the Blest above
But that they sing and that they love?"
Yet, if they ever did inspire

A mortal hymn, or shaped the choir,
Now, where those harvest Damsels float
Homeward in their rugged Boat,

(While all the ruffling winds are fled,
Each slumbering on some mountain's head,)

Now, surely, hath that gracious aid

Been felt, that influence is displayed.
Pupils of Heaven, in order stand
The rustic Maidens, every hand
Upon a Sister's shoulder laid,
To chant, as glides the boat along,
A simple, but a touching, Song;
To chant, as Angels do above,
The melodies of Peace in Love!

XVI.

ENGELBERG, THE HILL OF ANGELS.

FOR gentlest uses, oft-times Nature takes
The work of Fancy from her willing hands;
And such a beautiful creation makes

As renders needless spells and magic wands,
And for the boldest tale belief commands.
When first mine eyes beheld that famous Hill
The sacred ENGELBERG, celestial Bands,

With intermingling motions soft and still,

Hung round its top, on wings that changed their hues at will.

Clouds do not name those Visitants; they were
The very Angels whose authentic lays,

Sung from that heavenly ground in middle air,
Made known the spot where Piety should raise
A holy Structure to the Almighty's praise.
Resplendent Apparation! if in vain

My ears did listen, 'twas enough to gaze;
And watch the slow departure of the train,
Whose skirts the glowing Mountain thirsted to detain!

* See note.

XVII.

OUR LADY OF THE SNOW.

MEEK Virgin Mother, more benign
Than fairest Star upon the height
Of thy own* mountain set to keep

Lone vigils through the hours of sleep,

What

eye can look

upon thy shrine

Untroubled at the sight?

These crowded Offerings as they hang

In sign of misery relieved,

Even these, without intent of theirs,
Report of comfortless despairs,

Of many a deep and cureless pang
And confidence deceived.

To Thee, in this aërial cleft,
As to a common centre, tend
All sufferings that no longer rest
On mortal succour, all distrest
That pine of human hope bereft,
Nor wish for earthly friend.

* Mount Righi.

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