Caribbean Cultural IdentitiesGlyne A. Griffith Bucknell University Press, 2001 - 178 páginas "The eight essays in this edition analyze Caribbean culture less as commodity to be consumed than as ontological device and discursive tool/weapon."--BOOK JACKET. |
Contenido
| 17 | |
Caribbean Identity and Belonging | 33 |
Calypso and Caribbean Identity | 55 |
The Pleasures of Exile in Selected West Indian Writing Since 1987 | 73 |
Haiti the Caribbean and the Black Atlantic | 104 |
Album Cover Imagery in Caribbean Music | 123 |
The Project of Becoming for Marlene NourbesePhilip and Erna Brodber | 133 |
Narrating Gender and Agency across Discursive Boundaries | 160 |
Términos y frases comunes
African American agency album cover argues artist assertion Barbados bean Bolo Brodber C. L. R. James calypso calypsonians Carib Caribbean cultural Caribbean identity Caribbean music Caribbean women's writing colonial concept construction contemporary context creative Creole critical discourse dominant Ella's English Enigma Erna Brodber essay ethnic example experience female fiction gender George Lamming Gilroy GLYNE GRIFFITH Guyana Haiti Haitian identity human imagination Indo-Trinidadian island Jamaica Kincaid journey kind labor language literary Louisiana Lucy ment metaphysical mother Naipaul narrative narrator narrator's Natural Rebels Nourbese-Philip novel O'Callaghan perspective philosophy plantation political postcolonial present question region represent representation resistance ribbean Rohlehr Shouter Baptist slave women's slavery social society songs space speak stereotypical strategies structure struggle suggests theme tion tive tongue tradition Trinidad Trinidadian University V. S. Naipaul village vision visual voyage West Indian literature West Indies woman women
Pasajes populares
Página 7 - Literatures at the Cave Hill Campus of The University of the West Indies.