...external form of the human body, more exposed than it may be healthily and decently in daily life, has been essentially destructive to every school of art in which it has been practised. 150. These four statements I undertake, in the course of our future study, gradually to confirm to...

...external form of the human body, more exposed than it may be healthily and decently in daily life, has been essentially destructive to every school of art in which it has been practised. 150. These four statements I undertake, in the course of our future study, gradually to confirm to...

...influence anatomy had on Mantegna and Diirer, in contrast with Botticelli and Holbein, who kept themselves free from it. " The habit of contemplating the anatomical structure of the human form," he says later on, "is not only a hindrance but a degradation, and has been essentially destructive to...

...external form of the human body, more exposed than it may be healthily and decently in daily life, has been essentially destructive to every school of art in which it has been practised. 150. These four statements I undertake, in the course of our future study, gradually to confirm to...

...external form of the human body, more exposed than it may be healthily and decently in daily life, has been essentially destructive to every school of art in which it has been practised. 150. These four statements I undertake, in the course of our future study, gradually to confinn to...

...external form of the human body, more exposed than it may be healthily and decently in daily life, has been essentially destructive to every school of art in which it has been practised. 150. These four statements I undertake, in the course of our future study, gradually to confirm to...

...University of Oxford. Even in the preface he deplores its pernicious influence on Mantegna and Diirer, as contrasted with Botticelli and Holbein, who kept...According to him, it misleads painters, as for instance Diirer, to see and represent nothing in the human face but the skull. The artist should "take every...

...University of Oxford. Even in the preface he deplores its pernicious influence on Mantegna and Diirer, as contrasted with Botticelli and Holbein, who kept...destructive to every school of art in which it has been practiced." According to him, it misleads painters, as for instance Diirer, to see and represent nothing...

...influence anatomy had on Mantegna and Durer, in contrast with Botticelli and Holbein, who kept themselves free from it. " The habit of contemplating the anatomical structure of the human form," he says later on, "is not only a hindrance but a degradation, and has been essentially destructive to...

...University of Oxford. Even in the preface he deplores its pernicious influence on Mantegna and Diirer, as contrasted with Botticelli and Holbein, who kept...destructive to every school of art in which it has been practiced." According to him, it misleads painters, as for instance Diirer, to see and represent nothing...