Selections from the Writings of John Ruskin

Portada
George Allen, 1893
 

Páginas seleccionadas

Contenido

THE PINE
28
PINES AT SUNRISE
29
NATURE NEGLECTED
30
TURIN
31
MOUNTAIN GLORIES
32
THE INFLUENCE OF MOUNTAINS
33
THE BEAUTY OF AIGUILLES
34
MOUNTAIN SCULPTURE
35
THE APPROACH TO VENICE
40
TOMB OF THE DOGE ANDREA DANDOLO
56
I CHOICE OF SUBJECT
57
LOVE OF BEAUTY
60
CHARACTERISTICS OF NATURE
64
SINCERITY
99
ALPINE SNOW
105
A MOUNTAIN TORRENT 105
107
THE UNRULY BREAKERS
110
SEA WAVES
111
THE LAW OF HELP
112
NATURES BEAUTY 44 NATURES INFINITY ΠΙΟ III 112 42 THE BEAUTIFUL ALONE NOT GOOD FOR MAN
116
PAINTING AND POETRY 45 THE PURPOSE OF
118
THE PROPER STUDY OF MANKIND
119
PAINTING CONSIDERED AS A LANGUAGE
120
A DEFINITION OF POETRY
123
MILTON AND DANTE 49 THE IMAGINATION IN POETRY
124
DANTES LANDSCAPE
131
SHAKESPERE
135
OF THE PATHETIC FALLACY
138
SCOTT
141
THE AIMS OF LANDSCAPE PAINTING
144
ON GREATNESS OF STYLE
146
DECEPTIVE IMITATION PAGE
148
TRUTH IN PORTRAITURE
160
TRUTH IN LANDSCAPE
163
POWER IN
167
EXECUTION
169
MYSTERY OF DETAIL
171
THREE STAGES OF REALISATION
173
FINISH 69 THE TWOFOLD NATURE OF
176
COMPOSITION AND INVENTION
180
PAINT YOUR IMPRESSIONS
184
FORM AND COLOUR
186
TEMPERANCE IN COLOUR AND CURVATURE
187
THE SANCTITY OF COLOUR
190
THE SIGNIFICANCE OF THE GIFT OF COLOURING
191
CHIAROSCURO
193
THE FALSE IDEAL
195
SYMBOLISM IN
197
THE ARTIST AND THE MAN OF SCIENCE
200
LAST WORDS TO THE LANDSCAPE STUDENT
207
THE USE OF AMATEUR STUDY
209
THE 66 PUBLIC
211
SOUND CRITICISM
212
CHEAP ART AND LITERATURE
214
THE APPEAL OF GREAT
215
VERONESES FAMILY PAINTED BY HIMSELF
233
THE MASSACRE OF THE INNOCENTS BY TINTORET
239
SALVATOR ROSA
246
DÜRER
253
ANIMAL PAINTING
262
N POUSSIN
269
SIR JOSHUA REYNOLDS
275
IIO TURNERS YOUTH
287
TURNERS MERIT
293
THE SLAVE SHIP
299
118
306
119
310
120
313
123
317
124
319
TWO FINE ARTS ONLY
326
THE FUNCTION OF ARCHITECTURE
327
129
328
THE SUBLIME IN ARCHITECTURE
329
131
331

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