Your Creative PowerRead Books Ltd, 2011 M03 23 - 392 páginas Ten years ago, the editor of a leading magazine invited me to lunch. I had been one of his contributors, but we had never met. He broke the ice by asking, “What is your hobby, Mr. Osborn?” “Imagination,” I replied. He paused, then wrote on the back of an envelope, “MY HOBBY IS IMAGINATION.” “Mr. Osborn,” he said, “you must do a book on that. It’s a job that has been waiting to be done all these years. There is no subject of greater importance. You must give it the time and energy and thoroughness it deserves.” That remark started this book. Although I earned my master’s degree in practical psychology and have devoted most of my life to the psychology of advertising, I cannot claim to be a psychologist. Nor have I tried to write as a psychologist. I have felt free to take figurative liberties with academic concepts. For instance, I realize that imagination is an integral part of man’s mind-body function; and yet, for the sake of clarity and readability, I refer to imagination as if it were an entity of itself. My frequent use of the term “brainstorm” may bother the reader at first. Although Chapter 33 will fully explain, an inkling of its meaning may be helpful here: “Brainstorm” is used mainly to label the kind of conference where a few people sit down together for an hour or so solely to use their creative imaginations—solely to suggest ideas on a specific subject, right then and there. During the past ten years, in quest of material and insight, I have interviewed hundreds of people and have read hundreds of books, speeches and articles. I am indebted to all who talked with me and to all whose writings I read. Many of their names will be found in the index. |
Contenido
Creative Imagination Is Manifold and InterActing | |
The Creative Fuel We StoreIs It Rich or Thin? | |
Lets Try Not to Undermine Our Own Creative Power | |
Others Can Help Make or Mar Our Creativity | |
Even Exercise Can Be FunEspecially in Creative Thinking | |
To Attack a Creative Task We First Get | |
Lets Now Pick Our Target and Set Our | |
Break Down the ProblemFill in the Facts | |
Lets Send Forth Our Imagination in Search of Alternatives | |
Το What Other Uses Could This Be Put? | |
The Power of Association Joins Memory with Imagination | |
Emotional Drive as a Source of Creative Power | |
Where Theres a Will There Are Ways to Think | |
Judgment May Choke IdeasLets Keep It in Its Place | |
What Can We Borrow and Adapt to Our Need? | |
Lets Look for a New TwistLets Modify | |
What If We Add or Multiplyor Magnify? | |
Lets Subtract and DivideLets Minify | |
Otras ediciones - Ver todas
Your Creative Power: How to Use Imagination, Volumen1762 Alex Faickney Osborn Vista de fragmentos - 1961 |
Términos y frases comunes
advertising Alex Osborn Alexander Woollcott Alexis Carrel American Arthur Nielsen ask ourselves association B. F. Goodrich better brainstorm called Chapter Charles Charles Kettering Clarence Budington Kelland combination Company conscious create creative effort creative imagination creative minds creative power creative talent creative thinking drive early Edna Ferber Elbert Hubbard Electric employees engine example experience facts glass hard head Here's hunt illumination improvement industry ingenuity inspiration invention Joseph Jastrow judgment judicial keep laboratory lamp later less likewise living look mental never night nylon Paul de Kruif piling up alternatives play problem psychologists question radio re-arrangement recently scientific scientists started story substitute success suggestion systems tends things think up ideas thought told took trail tubeless tire turn Woollcott words write wrote young
