Inside the Classroom (and Out): How We Learn Through Folklore
Inside the Classroom (and Out) examines folklore and its many roles in education. Several articles explore teaching in rural school houses in the early twentieth century, while others provide insight into more serious academic scholarship in the field of folklore itself. One chapter looks at the "early years," including works about day care centers, scout programs, children's books, and the basic definition of what we mean by "folklore." Another chapter covers high school: cheerleading, football, yearbooks, and beliefs of Hispanic students. There is a chapter dedicated to Paul Patterson and his contribution to teaching; a chapter that covers college experiences, with stories about early Aggies, ghosts on university campuses, and collegiate cowgirls; and a chapter involving scholarly works, such as ways to help improve our memories, a linguistic study of cowboy poetry, and a comprehensive look at folklore studies.
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Part 4a College Years
Part 4b College Years
Chapter 16 SmallTown Texas Wisdom
Chapter 17 Aggie Incredibles
Chapter 18 Peas in the Family
Chapter 19 College Rodeo Cowgirls
Chapter 20 Ghosts Goblins Virgins and Other Supernatural Creatures
Part 5a Language and Study
Chapter 8 Knowledge About Folk Medicine Among Students in Alice High School
Chapter 9 School Yearbooks
Chapter 10 TwoBits FourBits or High School Cheerleading as a Lay Folk Ritual
Chapter 11 Seeing Red over Varsity Blues
Part 3a A Tribute to Paul Patterson
Part 3b A Tribute to Paul Patterson
Chapter 12 Jes Sir Meester Patternson
Chapter 13 Paul Patterson
Chapter 14 Paul Patterson Master Teacher
Chapter 15 A Pecos Pilgrims Pilgrimage
Part 5b Language and Study
Chapter 21 Popular English Usage in Texas or How Youre Sposed to Talk
Chapter 22 Talking Fancy
Chapter 23 Folk Use of Mnemonics
Chapter 24 Some Aspects of Language in Selected Cowboy Poetry
Chapter 25 Some Past Directions of NarrativeFolklore Study
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Página 101 - I do my thing, and you do your thing. I am not in this world to live up to your expectations And you are not in this world to live up to mine. You are you and I am I And if by chance we find each other, it's beautiful. If not, it can't be helped.
Página 234 - But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover!
Página 22 - There was an old woman who lived In a shoe, She had so many children, she didn't know what to do.
Página 59 - Whether the performance takes place at home, in the coffee house, in the courtyard, or in the halls of a noble, the essential element of the occasion of singing that influences the form of the poetry is the variability and instability of the audience. The instability of the audience requires a marked degree of concentration on the part of the singer in order that he may sing at all; it also tests to the utmost his dramatic ability and his narrative skill in keeping the audience as attentive as possible.
Página 97 - His quarter-staff, which he could ne'er forsake, Hung half before, and half behind his back. He trudged along, unknowing what he sought, And whistled as he went for want of thought.
Página 31 - Where is Thumbkin? Where is Thumbkin? Here I am, Here I am. How are you to-day, Sir? Very well, I thank you. Run a-way, run a-way.
Página 66 - The term speech event will be restricted to activities, or aspects of activities, that are directly governed by rules or norms for the use of speech.
Página 74 - ... Lomax and Abrahams, a relation between performer, esthetically marked (stylized) material, and audience. Dundes, on the other hand, has shown the difference between knowing folklore materials and knowing how to use them, and has shown ways to study folklore as communication in terms of rules of use.17 The essential element common to all these approaches is the movement from a focus on the text to a focus on the communicative event. The term "context" takes on a new meaning, or new force in this...
Página 21 - Let him fte still. He lied for his living : so He lived, while he lied, When he could not lie longer, He lied down, and died.