woller 6-20-25 A 2036 PREFACE. THERE are wide differences in the fame of the poems here collected, as well as in their merits. Some are familiar to everybody that reads poetry at all; others find reputation and perpetuity only with particular classes. Some are admired only by those who know nothing of real poetry; others almost require poets for appreciative readers. A few, like those of Bishop Berkeley and Michael Barry, have been saved from oblivion by a single happy line or quatrain ; while the richness and perfection of many leave us in wonder that their authors produced no more. If critical judgment in such matters is worth anything when opposed to a popular verdict, some of these authors have written, for no reward at all, better poems than those that have given them fame. However that may be, this volume is intended to represent popular rather than critical taste, and to include all the poems in the language that fairly come under its title,-excepting only those numerous anonymous ballads, belonging to the early centuries of our literature, which are preserved in Percy's and other similar collections. It is not expected that any one reader will prize all the pieces here brought together; if each finds what he looks for, no one need be offended because the book also includes some that he could have spared. Collecting poetry iii a a is like poking the fire ; nobody can sit by and see it done, without thinking that he himself could do it a little better,-as in truth he could, if it were for him alone. In all such work it is necessary to make a personal equation -a small allowance for quickness or slowness of apprehension in the individual. Taking this into account, I hope the volume will be found to exhibit a generous appreciation of widely varied expressions of the poetic art. In a few instances the plan of the collection has been literally, but I think not essentially, transcended. Charles Wolfe wrote two other poems equally famous if not equally popular with “The Burial of Sir John Moore,” and Francis M. Finch's “Nathan Hale” had an established place before he wrote “The Blue and the Gray.” The best solution for this apparent difficulty seemed to be to include them all. My thanks are due to living writers represented, for permission to use their poems. The utmost pains have been taken to make the text absolutely correct, and in many instances the author's own manuscript has been used. Where the poems have any special history, it will be found in the notes at the end of the book. R. J. NEW YORK, September 1, 1890. CONTENTS. 10 BALAKLAVA, Alexander B. Meek 186 Paul Moon James 122 Thomas Moss 96 149 197 291 BONNIE GEORGE CAMPBELL, Anonymous BRAES OF YARROW, THE William Hamilton BRIDE, THE Sir John Suckling 24 BURIAL OF BÚRANGER, Alfred Watts 309 BURIAL OF SIR JOHN MOORE, Charles Wolfe BURNS, ODE ON THE CENTE- 229 CUDDLE DOON, Alexander Anderson DEATH OF KING BOMBA, THE Anonymous DEATH OF NAPOLEON, THE Isaac McLellan DEATH'S FINAL CONQUEST, James Shirley DONERAILE, A LITANY FOR Patrick O'Kelly DRIVING HOME THE Cows, Kate Putnam Osgood EXEQUY, Henry King Richard Crashaw . Philip P. Cooke. GOLDEN WEDDING, THE David Gray GRAVE OF BONAPARTE, THE H. S. Washburn ? IF I SHOULD DIE TO-NIGHT, Belle E. Smith 329 100 Ivy GREEN, THE Charles Dickens 181 JOLLY OLD PEDAGOGUE, THE George Arnold 226 MARINER'S DREAM, THE William Dimond MEMORY OF THE DEAD, THE John Kells Ingram 195 MISTRESS OF THE HOUSE, THE Leslie Walter MITHERLESS BAIRN, THE William Thom MODEST WIT, A Selleck Osborn 111 Robert Kelley Weeks 318 |