Keats the PoetPrinceton University Press, 1994 M01 2 - 354 páginas Keats the Poet was first published in 1973, just as the crest of all the New-Critical exegeses had passed, leaving the critical literature with a wealth of fine readings, but without a real organizing program within which to view them. Stuart Sperry established such a frame of reference. Further, he did so with such prescience that even the most radical deconstructive or new historical approaches to Keats today must bear witness to their inception in Sperry's emphasis on, and subtle demonstration of, the centrality of "indeterminacy' in the poet. Now available in paperback for the first time, this work will enlighten a new generation of readers. |
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Contenido
A Poetry of Sensation | 3 |
The Chemistry of the Poetic Process | 30 |
The Early Verse | 72 |
The Allegory of Endymion | 90 |
The Epistle to John Hamilton Reynolds | 117 |
The Northern Walking Tour | 132 |
The First Hyperion | 155 |
Romance as WishFulfillment The Eve of St Agnes | 198 |
From The Eve of Saint Mark to La Belle Dame sans Merci | 221 |
Romantic Irony The Great Odes of the Spring | 242 |
Comic Irony Lamia | 292 |
Tragic Irony The Fall of Hyperion | 310 |
To Autumn | 336 |
Afterword 1994 | 343 |
347 | |
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Términos y frases comunes
abstract achieve aesthetic Agnes allegory Apollo aspects awareness beauty beginning Celtic complex conception consciousness context creative process critics deeper distillation dramatic dream dreamer earlier elements Endymion epic Ernest de Selincourt Essays ethereal experience Fall of Hyperion feeling George and Georgiana Hazlitt Hermes human ideal identity images imagination implications important intensity irony italics John Keats Keats's kind knowledge Lamia larger later letter lovers Lycius M. H. Abrams major means ment metaphor Milton mind Moneta mystery narrative nature Negative Capability never Nevertheless Ode to Psyche pain Paradise Lost partly passage perception poem poem's poet poet's poetic process Porphyro problem progress Psyche questions reality realization reveals Reynolds Robert Gittings Romantic Saint Mark seems sensation sense significance Sleep and Poetry sonnet sorrow spirit stanza sublime suggests theme thing thought throughout tion transcends truth verse vision visionary vital whole Wordsworth writes wrote