From the lonely beacon's height, But no mortal power shall now And the track beneath her prow There are spirits of the deep2, The wrath of heaven. Warrior-cross-the union flag-the national ensign of Great Britain. 2 There are spirits, &c.-This and the two following stanzas bring powerfully before the imagination the horrors of the storm, by attributing them to the supernatural agency of tempest-spirits, or demons, who, on receiving God's behest, rise from their slumber and unfurl their banner of clouds, &c. High the eddying mists are whirled, O'er Swilly's rocks they soar, The dread behest is past!- One shriek was first and last Scarce a death-sob drank the blast, Beneath the wave. "Britannia rules the waves!" Strews the sand with countless graves TO THE PAST.1 Thomas Sheridan. THOU unrelenting Past! Strong are the barriers round thy dark domain, And fetters, sure and fast, Hold all that enter thy unbreathing reign. Far in thy realm withdrawn Old empires sit in sullenness and gloom, And glorious ages gone Lie deep within the shadow of thy womb. The striking conception embodied in this poem is sustained with great force and beauty-if it may not sometimes be called sublimity-throughout. The pathos too in parts is most touching. Childhood, with all its mirth, Youth, manhood, age, that draws us to the ground, Glide to thy dim dominions, and are bound. Thou hast my better years, Thou hast my early friends-the good-the kind, The venerable form-the exalted mind.. My spirit yearns to bring The lost ones back-yearns with desire intense, Thy bolts apart, and pluck thy captive thence. In vain1-thy gates deny All passage save to those who hence depart; Thou givest them back-nor to the broken heart. In thy abysses hide Beauty and excellence unknown-to thee Earth's wonder and her pride Are gathered, as the waters to the sea; Labours of good to man, Unpublished charity, unbroken faith- And grew with years, and faltered not in death. Full many a mighty2 name Lurks in thy depths, unuttered, unrevered; Forgotten arts, and wisdom disappeared. Thine for a space are they Yet shalt thou yield thy treasures3 up at last; Thy bolts shall fall, inexorable Past! In vain, &c.—this verse in particular exemplifies the remarks just made. 2 Mighty-i. e. once mighty. 3 Yet shalt, &c.-The anticipation of the sea's "giving up her dead," solemn as it is, seems faint and limited when compared with the image here brought before us-the awful portals of the shadowy Past opening and revealing all its dread secrets. All that of good and fair Has gone into thy womb from earliest time, The glory and the beauty of its prime. They have not perished-No! Kind words, remembered voices once so sweet, And features, the great soul's apparent1 seat; All shall come back, each tie Of pure affection shall be knit again; And sorrow dwell2 a prisoner in thy reign. WOMAN.3 Bryant. 1 She was a phantom of delight When first she gleamed upon my sight; To be a moment's ornament; Her eyes as stars of twilight fair; Like twilight's, too, her dusky hair; I saw her upon nearer view, Her household motions light and free, A countenance4 in which did meet Sweet records, promises as sweet; Apparent-there is much significance in this word;-the features of the countenance are the seat or spot in which the soul reveals or displays itself. 2 Sorrow dwell, &c.—A fine personification of sorrow left behind as the only prisoner in the silent dungeon of the past. 3 Rarely, if ever, has a more lovely picture been drawn of woman in her threefold relation to the beautiful, the social, and the spiritual. 4 A countenance, &c.-The countenance, as distinguished from the face is the "soul's apparent seat," (see note 1, above,) and belongs only to intellectual man; -a brute may have a face, but not a countenance. "Record" too is a very expressive word here. It is from the Latin, re again, and cor the heart-something that the heart or mind dwells upon; an authentic memorial of the past. A creature not too bright or good And now I see with eye serene VICTORIA'S TEARS.1 "O MAIDEN! heir of kings! A king has left his place! The majesty of Death has swept All other from his face! And thou upon thy mother's breast, No longer lean adown, But take the glory for the rest,2 She wept, to wear a crown! Wordsworth. They decked her courtly halls; And mourners God had stricken deep, Alone she wept, Who wept, to wear a crown ! 'When her present majesty was informed of her accession to the throne, on the death of her uncle, she was so affected with the consciousness of the responsibilities which had in a moment fallen upon her, that she wept ;-it is to this circumstance that the above simple and beautiful stanzas owe their origin. * For the rest-i.e. in the place of the rest and retirement hitherto enjoyed. |