David Garrick and the Birth of Modern TheatreMethuen, 2001 - 246 páginas "Actor, director, impresario, author, David Garrick (1717-1779) is the most legendary man of the theatre of modern times. He reformed English theatre practice, established a 'natural' style of acting, and made the profession socially acceptable. As his great friend Dr. Johnson remarked, no actor before Garrick had made so much money nor achieved such an eminent position in society. Not for nothing is the most exclusive club in London named after him: Garrick was the first international 'megastar'." "Garrick's circle of friends was enormous and covered the social spectrum, from lawyers and wine merchants to the most famous men of letters and statesmen of his time: Pope, Boswell, Edmund Burke, Lord Burlington, Lord Chesterfield, the Prime Minister Pitt the Elder, the Lord Chancellor: the Duke of Devonshire, Lord Spencer. In France he counted Diderot, d'Alembert, Baron d'Holbach and the philosophes among his acquaintance. Though never honoured, he was at the very centre of his world." "Drawing on the large amount of source material available - from the accounts of Johnson's friendship with Garrick by James Boswell, through descriptions of his acting by English, French and German critics, to his own diaries and letters - Jean Benedetti has written a lively and fascinating account of Garrick's style and reforms, clearly establishing his pivotal role in the development of acting and directing."--Book Jacket. |
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Página 53
... called a ' science ' of acting . His ugly , hulking frame concealed an acute and precise mind . He was essentially a character actor , not a tragedian in the grand manner , and therefore approached acting from a different , and original ...
... called a ' science ' of acting . His ugly , hulking frame concealed an acute and precise mind . He was essentially a character actor , not a tragedian in the grand manner , and therefore approached acting from a different , and original ...
Página 69
... called Garrick Fever . Initially , it was Peg Woffington who was the centre of attention . She was returning to her home town triumphantly after years of success at Drury Lane . Garrick was an unknown , but not for long . Woffington ...
... called Garrick Fever . Initially , it was Peg Woffington who was the centre of attention . She was returning to her home town triumphantly after years of success at Drury Lane . Garrick was an unknown , but not for long . Woffington ...
Página 163
... called Le May , the first acted much better than L'École des Maris but the dancing which was great success and much approved of would have been hissed off the English stage . Garrick later added a note : Molière's comedies scarcely ...
... called Le May , the first acted much better than L'École des Maris but the dancing which was great success and much approved of would have been hissed off the English stage . Garrick later added a note : Molière's comedies scarcely ...
Contenido
TWO London | 21 |
THREE The Revolution in Acting | 47 |
FOUR Beginnings at Drury Lane | 71 |
Derechos de autor | |
Otras 8 secciones no mostradas
Términos y frases comunes
acting action actors appeared artistic attempt audience became become brother called century character Cibber concerned continued Covent Garden created critical David Davies described Drury Lane emotion English expressed eyes face fact father feeling final followed force France French friends Garrick give given Hamlet hand ideas interest John Johnson kind King Lacy later leading Lear less letter lines lived London look Lord Macbeth Macklin major manager manner mind moved Murphy nature needed never night offered once opened passion performance person Peter play present produced Quin received remained Rich Richard role scene season seemed sense Shakespeare situation speak stage success taken taste theatre Thomas took turn voice wanted whole writing written wrote young
Referencias a este libro
The Cambridge Companion to British Theatre, 1730-1830 Jane Moody,Daniel O'Quinn Sin vista previa disponible - 2007 |