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I mourn not that my lot is low,
I wish no higher state;

I sigh not that Fate made me so,
Nor tease her to be great.

I am content for well I see,
What all at last shall find,-
That life's worst lot the best may be,
If that's a quiet mind.

I see the world pass heedless by,
And pride above me tower;
It costs me not a single sigh

For either wealth or power:
They are but men, and I'm a man
Of quite as great a kind,-
Proud, too, that life gives all she can,
A calm and quiet mind.

I never mocked at beauty's shrine,
To stain her lips with lies;

No knighthood's fame or luck was mine,
To win love's richest prize :

And yet I've found in russet weed,
What all will wish to find,

True love and comfort's prize indeed,
A glad and quiet mind.

And come what will of care or woe,
As some must come to all;
I'll wish not that they were not so,
Nor mourn that they befal :
If tears for sorrows start at will,

They're comforts in their kind;
And I am blest, if with me still
Remains a quiet mind.

When friends depart, as part they must,
And love's true joys decay,

That leave us like the summer dust,
Which whirlwinds puff away:
While life's allotted time I brave,
Though left the last behind;

A prop and friend I still shall have,
If I've a quiet mind.

MARY LEE.

I HAVE traced the valleys fair
In May morning's dewy air,
My bonny Mary Lee!

Wilt thou deign the wreath to wear,
Gather'd all for thee?

They are not flowers of Pride,
For they graced the dingle-side;
Yet they grew in heaven's smile,
My gentle Mary Lee!

Can they fear thy frowns the while,
Though offered by me?

Here's the lily of the vale,

That perfumed the morning gale,
My fairy Mary Lee!
All so spotless and so pale,

Like thine own purity.
And, might I make it known,
'Tis an emblem of my own
Love-if I dare so name
My esteem for thee.

Surely flowers can bear no blame,
My bonny Mary Lee!

Here's the violet's modest blue,

"That 'neath hawthorns hides from view,

My gentle Mary Lee,
Would show whose heart is true,

While it thinks of thee.
While they choose each lowly spot,
The sun disdains them not;
I'm as lowly, too, indeed,

My charming Mary Lee;

So I've brought the flowers to plead,
And win a smile from thee.

Here's a wild rose just in bud;
Spring's beauty in its hood,
My bonny Mary Lee!
"Tis the first in all the wood
I could find for thee.

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Though they deck no princely halls,
In bouquets for glittering balls,
My gentle Mary Lee!
Richer hues than painted walls
Will make them dear to thee;
For the blue and laughing sky
Spreads a grander canopy
Than all wealth's golden skill,
My charming Mary Lee!
Love would make them dearer still,
That offers them to thee.

My wreathed flowers are few,
Yet no fairer drink the dew,
My bonny Mary Lee!

They may seem as trifles too-
Not I hope to thee.

Some may boast a richer prize
Under pride and wealth's disguise;
None a fonder offering bore

Than this of mine to thee; And can true love wish for more? Surely not, Mary Lee!

CAROLINE ELIZABETH SARAH NORTON, the second daughter of Thomas, and the grand-daughter of Richard Brinsley Sheridan, was born in London. Soon after the union of Mr. Sheridan with her mother (the daughter of Colonel and Lady Elizabeth Callander), he became consumptive, and was induced to try the effects of a warmer climate upon his constitution. His wife accompanied him to Madeira, and subsequently to the Cape, where, after lingering two or three years, he died. His still young and beautiful widow returned to England, to superintend the education of her children,a task to which she devoted herself with engrossing zeal, passing the best and generally the vainest years of a woman's life, apart from the gay world; indifferent to the lures of society, and sacrificing even her personal comforts to advance their interests and form their minds. To this accomplished and excellent parent may be attributed much of Mrs. Norton's literary fame;-it forms another link in that long chain of hereditary genius which has now been extended through a whole century. Her sister, the lady of the Hon. Captain Price Blackwood, is also a writer of considerable taste and power; her publications have been anonymous, and she is disinclined to seek that notoriety which the "pursuits of literature" obtain;-but those who are acquainted with the productions of her pen, will readily acknowledge their surpassing merit. The sisters used, in their childish days, to write together, and, before either of them had attained the age of twelve years, they produced two little books of prints and verses, called, "The Dandies' Ball," and "The Travelled Dandies;" both being imitations of a species of caricature then in vogue. But we believe that, at a much earlier period, Mrs. Norton had written poetry, which even now she would not be ashamed to see in print. Her disposition to "scribble" was, however, checked rather than encouraged by her mother; for a long time, pen. ink, and paper were denied to the young Poetess, and works of fiction carefully kept out of her way, with a view of compelling a resort to occupations of a more useful character. Her active and energetic mind, notwithstanding, soon accomplished its cherished purpose. At the age of seventeen, she wrote "The Sorrows of Rosalie;" and, although it was not published until some time afterwards, she had scarcely passed her girlhood before she had established for herself the distinction which had long been attached to her maiden name.

At the age of nineteen, Miss Sheridan was married to the Hon. George Chapple Norton, brother to the present Lord Grantley. He had proposed for her three years previously, but the mother had postponed the contract until the daughter was better qualified to fix her choice. These years had enabled her to make an acquaintance with one whose early death prevented a union more consonant to her feelings. When Mr. Norton again sought her hand he received it. It is unnecessary to add, that the marriage has not been a happy one: the world has heard the slanders to which she has been exposed; and a verdict of acquittal from all who for a moment listened to them can scarcely have atoned for the cruel and baseless suspicions to which she has been subjected.

Mrs. Norton has published two volumes of poetry,-"The Sorrows of Rosalie," and "The Undying One." The former tells the story of a ruined cottage girl; and the latter is founded on the superstition of the wandering Jew. The subject of the latter especially was ill chosen; a circumstance for which the authoress accounts, by stating, that until she married she had read fewer works of fiction than most young persons. The St. Leon of Godwin, and the wild romance of Maturin, were unknown to her; and she imagined she was INVENTING, when she was, in fact, only following in the path of her predecessors.

Mrs. Norton is eminently beautiful; her form is peculiarly graceful and dignified; and her features are exquisitely chiselled,—but hers is that intellectual beauty with which there is usually mingled a degree of haughtiness. She must occupy a high station among female authors, of which our age may boast a long and dazzling list. Her mind is of a high order; but she is far from having attained the zenith of her fame.

Her poetry is distinguished both by grace and energy. She is, perhaps, deficient in that inventive faculty in which some of her contemporaries have so greatly excelled; but her productions are full of thought,-there is nothing of the aspect of poverty in any thing she has written; on the contrary, her ideas seem too large and abundant for her verse; and she far more often crowds her materials than ekes out a description by words that might be dispensed with.

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Low she lies, who blest our eyes
Through many a sunny day;
She may not smile, she will not rise,-
The life hath past away!

Yet there is a world of light beyond,

Where we neither die nor sleep;

She is there, of whom our souls were fond,Then wherefore do we weep?

The heart is cold, whose thoughts were told In each glance of her glad bright eye; And she lies pale, who was so bright,

She scarce seem'd made to die.

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