Challenge of Keats: Bicentenary Essays, 1795-1995Allan C. Christensen Rodopi, 2000 - 313 páginas Two centuries after his birth in October 1795, John Keats occupies a secure place in the canon of great literature of the western world. But for much of the nineteenth century and even during periods of the twentieth century, his right to such a position was not so firmly established. On the bicentenary of Keats's birth, various Italian scholars, along with specialists from English-speaking countries, decided to take advantage of the occasion not only to render homage to a poet whose greatness now seems unchallenged but also to accept his continuing challenge to his readers. The contributors to this volume re-examine some of the harshest criticisms of Keats, from Byron onwards, and some of the unconditional exaltations of the poet in order to discover possible sites between the two for new critical impulses and fertile re-evaluations of his achievement. Under five headings - Romantic Truth, Textual Readings, History and Myth, Keats and Other Poets and Painting and Music - the essays in this book appraise the historical-cultural contexts that nurtured Keats's creativity; discuss the influences and interrelationships among Keats and other poets; and consider Keats's artistry as revealed in the analyses of particular texts. |
Dentro del libro
Resultados 1-5 de 22
Página 4
... Milton , it goes on to discuss Keats's relations with his contemporaries , especially Leigh Hunt and P.B. Shelley , and concludes by considering Keats's influence on the poets of the late nineteenth century . Peter Vassallo's ...
... Milton , it goes on to discuss Keats's relations with his contemporaries , especially Leigh Hunt and P.B. Shelley , and concludes by considering Keats's influence on the poets of the late nineteenth century . Peter Vassallo's ...
Página 16
... Milton in Hyperion . When he is writing successfully his imitations correspond to the classic formulation of Ben Jonson : imitation is not copying a style's superficial mannerisms but recreating its essential qualities in new terms.11 ...
... Milton in Hyperion . When he is writing successfully his imitations correspond to the classic formulation of Ben Jonson : imitation is not copying a style's superficial mannerisms but recreating its essential qualities in new terms.11 ...
Página 18
... Milton - a reinterpretation which took , not one word , but one epic and some fifty water - colours . The judgement clearly shows McGann's drive to produce a certain kind of interpretation . " World - wind " , however it got into the ...
... Milton - a reinterpretation which took , not one word , but one epic and some fifty water - colours . The judgement clearly shows McGann's drive to produce a certain kind of interpretation . " World - wind " , however it got into the ...
Página 46
... Milton's invocation of the " holy Light " ( Paradise Lost , III ) and becomes " Forlorn " as he follows the bird's up / down departure in his mind , not in the sense of " lost " , but of " released , freed , let go " ( Greek luein ...
... Milton's invocation of the " holy Light " ( Paradise Lost , III ) and becomes " Forlorn " as he follows the bird's up / down departure in his mind , not in the sense of " lost " , but of " released , freed , let go " ( Greek luein ...
Página 51
... Milton - Pope - someone . But even so , the narrator's self is sufficiently feelingly engaged by now for Moneta ... Milton's " light shining inwards " , PL , III 52 : " visionless entire they seemed of all external things " , I 267-68 ...
... Milton - Pope - someone . But even so , the narrator's self is sufficiently feelingly engaged by now for Moneta ... Milton's " light shining inwards " , PL , III 52 : " visionless entire they seemed of all external things " , I 267-68 ...
Contenido
1 | |
3 | |
5 | |
9 | |
27 | |
41 | |
NICHOLAS | 61 |
VANNA GENTILI | 79 |
CHRISTENSEN | 179 |
VALENTINA POGGI | 187 |
ROBINSON | 195 |
PETER VASSALLO | 209 |
LILLA MARIA CRISAFULLI JONES | 219 |
MARIAGRAZIA BELLORINI | 237 |
ALEX R FALZON | 249 |
ENRICO REGGIANI | 257 |
JOHNSON | 95 |
ANNA MARIA PIGLIONICA | 113 |
MICHAEL ONEILL | 125 |
LUISA CONTI CAMAIORA | 161 |
Prohibition of Desire | 277 |
NOTES ON CONTRIBUTORS | 303 |
Otras ediciones - Ver todas
The Challenge of Keats: Bicentenary Essays 1795-1995 Allan C. Christensen Vista previa limitada - 2000 |
The Challenge of Keats: Bicentenary Essays 1795-1995 Allan C. Christensen Sin vista previa disponible - 2000 |
Términos y frases comunes
aesthetic anagrammatic Apollo appear beauty becomes Belle Dame Browning Chapman Charles Cowden Clarke Clare Cockney School Coleridge Cortez criticism Dante Dante's death dream Endymion English essay experience expression fact Fall of Hyperion Fanny Brawne feeling George Keatses Gittings Grecian Urn Hazlitt Heine's Homer human Hunt's ideology imagination Jerome McGann John Hamilton Reynolds John Keats Keats's letter Keats's poems Keats's poetry Keats's sonnet Keatsian Kundera Lamia language Leigh Hunt letter to Bailey Letter to Reynolds literary London look Lycius lyric McGann Milton Moneta nature Negative Capability Nightingale octave Oxford passion pattern perception Petrarchan philosophy poet's poetic political quatrain reader reading relationship rhymes Robert Robert Gittings Rollins Romantic poets Romanticism seems sense sestet Shakespeare Shakespearean Shakespearean sonnet Shelley Shelley's Sleep and Poetry stanza story suggest Taylor things thought truth verse vision voice W.B. Yeats Wilde words Wordsworth writing written wrote Yeats
Pasajes populares
Página 83 - Homer ruled as his demesne ; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold : Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He...
Página 32 - snow is white" is true if, and only if, snow is white.
Página 33 - And yet such a fate can only befall those who delight in Sensation, rather than hunger, as you do, after Truth. Adam's dream will do here, and seems to be a conviction that Imagination and its empyreal reflection is the same as human life and its spiritual repetition.
Página 75 - Now it appears to me that almost any Man may like the spider spin from his own inwards his own airy Citadel — the points of leaves and twigs on which the spider begins her work are few, and she fills the air with a beautiful circuiting.
Página 153 - I am a Member; that sort distinguished from the wordsworthian or egotistical sublime; which is a thing per se and stands alone) it is not itself — it has no self — it is every thing and nothing — It has no character — it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated — It has as much delight in conceiving an lago as an Imogen.
Página 28 - What though I am not wealthy in the dower Of spanning wisdom; though I do not know The shiftings of the mighty winds that blow Hither and thither all the changing thoughts Of man...
Página 188 - Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?
Página 152 - Though a quarrel in the Streets is a thing to be hated, the energies displayed in it are fine ; the commonest Man shows a grace in his quarrel. By a superior Being our reasonings may take the same tone — though erroneous they may be fine. This is the very thing in which consists Poetry...
Página 88 - I behold, upon the night's starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon...
Página 76 - Man should not dispute or assert but whisper results to his neighbour and thus by every germ of spirit sucking the sap from mould ethereal every human might become great, and Humanity instead of being a wide heath of Furze and Briars with here and there a remote Oak or Pine, would become a grand democracy of Forest Trees!