THE POETICAL WORKS OF JAMES THOMSON. COMPRISING ALL HIS PASTORAL, DRAMATIC, LYRICAL, AND DIDACTIC POEMS, AND A FEW OF HIS JUVENILE PRODUCTIONS. WITH A LIFE OF THE AUTHOR BY THE REV. PATRICK MURDOCH, D.D., F.R.S. AND NOTES BY NICHOLS. DULCES ANTE OMNIA MUSE-VIRGILIUS. LONDON: WILLIAM TEGG AND CO., CHEAPSIDE. MDCCCXLIX. HARVARD COLLEGE LIBRARY GIFT OF MARY E. HAVEN LONDON: PRINTED BY JAMES NICHOLS, HOXTON-SQUARE. PREFACE. Is the present edition of the "Seasons," that of 1746 has been faithfully copied. I know of only one passage in which I have swerved from it. In "Spring," verse 800, I have adopted Murdoch's reading of rapt, as the most correct: And oft, in jealous maddening fancy rapt; and have ventured to suggest, that in some passages Wrapt in gay visions of unreal bliss: where, though the true reading is evidently rapt, I have Nor hears the rein, nor heeds the sounding thong. But the true reading seems to be,― Nor heeds the rein, nor hears the sounding thong. Though the verse in this form has the authority of only one edition, yet it receives confirmation from Thomson's edition of 1738, which has "the sounding whip." Thus thong and whip are determined to have been synonymous in our poet's mind at the time when he wrote; and as the epithet sounding was applied both to thong and to whip, either of them must have been heard under ordinary circumstances, while the horse would heed the reins. The concluding verse of Virgil's second book of Georgics, neque audit currus habenas, which Thomson undoubtedly had in his recollection, may with some show of reason be adduced in support of the first of these conflicting readings. tu the rest of the Poetical Works, I have followed Murdocàs edition of 1762, compared with those of 1766 and 1.75, but have added the five lines which he omitted, respecting the Late of Sir Isaac Newton by Conduit, as they constituted part of the poem at the poet's decease. In all cases of doubt, reference has been had to as many of the previous editions as contained copies of Thomson's minor productions: especially to his Works in 2 vols. 4to, 17301.30. 2 vols. 8vo. 1738; and 2 vols. 8vo. 1744. I have also adhered to Murdoch in the "Castle of Indolace with the exception of stanza lxxiii. in the first canto, and stanzas lv. and lvi. in the second canto; all of which he had omitted, for some reason unexplained. Stanza Ixxiii. commences thus : One nymph there was, methought, in bloom of May, Respecting this fine stanza Sir N. H. Nicolas asserts, that it was first "introduced in the edition of 1746." A copy of that date I have never seen; but it is supposed to have been nothing beyond a small impression of copies for presentation, before the work had received the last touches of the author. This stanza was understood to contain a description of Lady Lyttelton, who, as well as her noble spouse, is represented to have been impervious to the fascinations of Indolence, and in vain solicited to become an inmate of his enchanted Castle. In consequence of the premature death of this amiable lady, it was omitted in the quarto edition of 1748; the sorrowing author of the "Monody to her Memory" accounting the publication of this recent piece of innocent pleasantry inconsistent with his lacerated feelings. The octavo edition of 1748 does not contain it; but as it is occasionally found in other impressions of high character, the editors must have had access to one of the early presentation-copies, and transferred the stanza into their own pages. The her two very charming stanzas in the second canto n Lord ttelton's edition of 1750, and in |