of the "Addresses," he has distinguished himself by his novels and historical romances, and was a frequent contributor to the periodicals and annuals, and in light literature was one of the most entertaining writers of his day. He died at Tunbridge Wells, whither he had gone for his health, on the 12th of July, 1849. A TALE OF DRURY LANE. * * BY W. S. (SCOTT.) * As Chaos which, by heavenly doom, In bedgown woke her dames, For shouts were heard mid fire and smoke, And lo! where Catherine Street extends, To every window-pane: Blushes each spout in Martlet Court, Nor these alone, but far and wide To those who on the hills around It seem'd that nations did conspire, Some vast stupendous sacrifice! (anonymous;) No. 9, "A Tale of Drury Lane," by W. S., (Scott;) No. 10, "Johnson's Ghost;" No. 11, "The Beautiful Incendiary," by Hon. W. S., (William Spencer;) No. 12, "Fire and Ale," by M. G. L., (Matthew Gregory Lewis, otherwise called Monk Lewis;) No. 15, "Architectural Atoms," by Dr. B., (Busby;) and No. 21, "Punch's Apotheosis," by T. H., (Theodore Hook.) E'en Higginbottom now was posed, * The firemen, terrified, are slow An awful pause succeeds the stroke, Conceal'd them from the astonish'd crowd. At length the mist awhile was clear'd, 'Twas Joseph Muggins, name revered, 'Mid blazing beams and scalding streams, Through fire and smoke he dauntless broke, Of the prose addresses, the following portion of that spoken by "Johnson's Ghost" is an admirable imitation of the style of the author of the "Rambler." [Ghost of DR. JOHNSON rises from trap-door P. S., and Ghost of BOSWELL from trap-door O. P. The latter bows respectfully to the House, and obsequiously to the Doctor's Ghost, and retires.] Doctor's Ghost loquitur. That which was organized by the moral ability of one has been executed by the physical efforts of many, and Drury Lane Theatre is now complete. Of that part behind the curtain, which has not yet been destined to glow beneath the brush of the varnisher, or vibrate to the hammer of the carpenter, little is thought by the public, and little need be said by the committee. Truth, however, is not to be sacrificed for the accommodation of either; and he who should pronounce that our edifice has received its final embellishment, would be disseminating falsehood without incurring favor, and risking the disgrace of detection without participating the advantage of success. Professions lavishly effused and parsimoniously verified are alike inconsistent with the precepts of innate rectitude and the practice of external policy: let it not then be conjectured, that because, we are unassuming, we are imbecile; that forbearance is any indication of despondency, or humility of demerit. He that is the most assured of success will make the fewest appeals to favor, and where nothing is claimed that is undue, nothing that is due will be withheld. A swelling opening is too often succeeded by an insignificant conclusion. Parturient mountains have ere now produced muscipular abortions; and the auditor who compares incipient grandeur with final vulgarity is reminded of the pious hawkers of Constantinople, who solemnly perambulate her streets, exclaiming, "In the name of the Prophet-figs !" 1 "A Tale of Drury Lane," by Walter Scott, is, upon the whole, admirably executed, though the introduction is rather tame. The burning is described with the mighty minstrel's characteristic love of localities.-Edinburgh Review. "I certainly must have written this myself," said Sir Walter, pleasantly, to one of the authors, pointing to the description of the Fire, "although I forget upon what occasion." TO HIS DAUGHTER. / Oh, daughter dear, my darling child, Come thronging to my heart through thee. Backward thou lead'st me to the bowers Where love and youth their transports gave; Yes, daughter, when this tongue is mute, Some stanza by thy sire composed- Then to their memories will throng Scenes shared with him who lies in earth The cheerful page, the lively song, The woodland walk, or festive mirth; Such now bedew my cheek-but mine How exquisitely dear thou art Can only be by tears express'd, While thus I clasp thee to my breast! ADDRESS TO THE MUMMY IN BELZONI'S EXHIBITION. And thou hast walk'd about (how strange a story!) When the Memnonium was in all its glory, And time had not begun to overthrow Those temples, palaces, and piles stupendous, Speak! for thou long enough hast acted dummy; Not like thin ghosts or disembodied creatures, But with thy bones and flesh, and limbs and features. Tell us for doubtless thou canst recollect To whom should we assign the Sphinx's fame? Was Cheops or Cephrenes architect Of either pyramid that bears his name? Is Pompey's Pillar really a misnomer? Had Thebes a hundred gates, as sung by Homer? Perhaps thou wert a mason, and forbidden By oath to tell the secrets of thy trade- In Memnon's statue, which at sunrise play'd? Or doff'd thine own to let Queen Dido pass, I need not ask thee if that hand, when arm'd, Long after thy primeval race was run. Thou couldst develop, if that wither'd tongue Might tell us what those sightless orbs have seen, Still silent, incommunicative elf! Art sworn to secrecy? then keep thy vows; But prithee tell us something of thyself; Reveal the secrets of thy prison house; Since in the world of spirits thou hast slumber'd, What hast thou seen-what strange adventures number'd? Since first thy form was in this box extended, We have, above ground, seen some strange mutations; The Roman empire has begun and ended, New worlds have risen-we have lost old nations, Didst thou not hear the pother o'er thy head, |