Film Theory and Contemporary Hollywood MoviesWarren Buckland Routledge, 2009 M06 3 - 368 páginas Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded. In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen. With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike. |
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... Sony, Viacom, and GE—owned all six of the major film studios, all four of the U.S. broadcast TV networks, and the vast majority of the top cable networks, along with myriad other media and entertainment holdings including print ...
... Sony of America's “Corporate Fact Sheet” (online at http://www.sony.com/SCA/corporate.shtml) the company's US sales for the 2006–07 fiscal year were $18.9 billion. While movie-related revenues represent a relatively modest portion of ...
... Sony has lagged behind. While the other conglomerates were acquiring media outlets, Sony has developed a very different strategy of media integration focusing on hardware-software synergy—i.e., on the coordination of its massive ...
... Sony's operations within the feature filmmaking realm have been quite consistent with the rest of the Big Six. Indeed, a key development in the new millennium has been the increasing uniformity of the conglomerates' filmmaking ...
... Sony Pictures Classics and New Line's art-film subsidiary Fine Line, and the total indie subsidiary output was 79 films, roughly half that of the majors. Contrast that with 2005, when the six conglomerate-owned majors released 133 films ...
Contenido
feminism philosophy and queer theory | |
rethinking affects narration fantasy and realism | |
contributors | |
index | |